A young woman returns to her hometown after failing to land a job post-graduation, only to be thrown into a serving job at her past acquaintance's wedding.
Guided by compassionate experts and a devoted team of volunteers, Ramba, an Asian elephant who endured 50 years of isolation in a Chilean circus, embarks on an extraordinary 2,550-mile journey to her new home at Elephant Sanctuary Brazil.
It is the story of seven days in the life of the 70-year-old Peter who learns that he has lung sarcoma and that there is a faint hope that in a week the diagnosis may be ruled out by a medical luminary from Moscow. Peter spends the seven days summing up the results of his life which he considers worthless, in which he could not start a family, earn money, save his reputation. But time and again the events in which he becomes involved and which are filled with smiles, sadness, human destinies, let the viewer realize that the protagonist’s life is far from worthless.
Suzanne is a homemaker with an erotic fixation on her butcher and his expert handling of flesh…a skill that stands in sharp contrast to the rote sex life she shares with her husband, Tom. To make matters more complicated, the butcher, unbeknownst to our protagonist, is trans-masculine, and Suzanne is not exactly LGBTQ+ aware; she’s overtly dismissive of her non-binary teenager’s gender identity, Ruth. Things come to a head when Tom invites Tracy, his estranged adult niece, to dinner. Suzanne visits her butcher and prepares a prime cut exactly as he suggests. Later, when the doorbell rings, she’s met with a shocking surprise. This mystery family member is the butcher – the butcher is Tracy. As the evening progresses, Suzanne must navigate her conflicting desires, face her prejudices, and acknowledge a deep-seated longing for something more.
1944, Piedmont Alps. Four teenagers dream of the end of the war and the moment when they will be reunited with their parents and older siblings. When they discover, by chance, that their age allows them to avoid suspicion and searches, they decide to secretly help the partisans, without being discovered. Marta, Davide, Sara and Marco thus become "Sandokan", the mysterious rebel who puts the Nazis and fascists of the valley in difficulty. Between steep climbs and breathtaking descents, between enormous dangers and great tests of courage, the four children will contribute to the final victory of the Resistance and the liberation of Italy from enemy occupation. A great partisan adventure and a story of love and friendship, told from the point of view of thirteen-year-old Marta.
As mother and son go through their routine, recorded voicemails provide a glimpse into the progression of the disease, underscoring the frustration, isolation and burnout that comes with intensive caregiving for loved ones.
When a young girl’s mother goes off to the Middle East for migration work and disappears she is confronted with unendurable circumstances of eviction, overdue tuition and a grocer’s ultimatum which forces her to become a house maid.
A group of 4 roommates - Mike, Bri, Charles, and Rachel - hit it big after winning a lot of money gambling. The next day, however, the money mysteriously disappeared. The devastating news pushes them to find the money, especially Mike, whose pursuit of the truth strains their relationships.
A film essay that intertwines the director's gaze with that of her late mother. Beyond exploring mourning and absence as exclusively painful experiences, the film pays tribute to her mother through memories embodied by places and objects that evidence the traces of her existence. The filmmaker asks herself: What does she owe her mother for who she is and how she films? To what extent does her film belong to her?
Filmmaker Maarten de Schutter attempts to reconstruct the lost memories of his mother, AIDS activist and feminist anthropologist Martine de Schutter. Ten years after she was killed, he explores her life and their relationship in order to thoroughly connect with what is left behind. The film is a disassembly of memory, motherhood and loss, driven by the infinite love between mother and child.
As San Francisco’s tech boom gentrifies their city, three young black trans women decide to take matters into their own hands, staging an audacious heist targeting the city’s most exclusive luxury brands.
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