A girl lying in her room in Taipei gets bored and goes to sleep. Heavy rain starts, and the story goes into a dream world. She mounts on her bed and starts her trip guided by mice. The background music is Maiden’s Prayer which she finds played by mice. After diving into the water, she starts dancing with the mice.
WHAT YOU WILL DO WHEN THE WAR CONTINUES? is the second part of Vladyslav Plisetskyi's trilogy, which was launched before the full-scale invasion. The film explores how a prolonged war changes society, political narratives and personal reality. Through his own biography, performances, dialogue with his father and the transformations of the Ukrainian queer community, the author shows the collision of identities, cultures and ideologies. The war becomes a background for deeply personal stories and visual narratives that merge into an artistic manifesto.
In the middle of a road, Adriano and Nina push a car until they reach a gas station. The couple has broken up after the events of a wedding, but while Nina wants to solve things out, Adriano takes refuge in the trunk and reality fragments as we enter in his mental chaos, in a space where past, future, magic and reality interconnect.
Raymbek is a young football player for whom sport is the meaning of life. He is already recognized as one of the best players in the PFL, supported by his family, coach, and teammates, and experts see his future in the KPL and even the national team. However, his world changes when, during the final match, his parents are involved in an accident. His father dies, and his mother is hospitalized—requiring expensive treatment. Raymbek faces a choice: give up his dream for the sake of his family or try to balance both paths. Along the way, he will encounter challenges and learn what true friendship and first love really mean.
Airports, detention centres, sea containers. Slow, roaming shots linger on places of passage and confinement, where movement is measured and controlled. Fragments of stories, words passed from one person to another. Encounters along the way reveal different ways of seeing, different ways of understanding. Voices emerge, sharing stories from those held inside Brook House, a large immigration centre on London’s outskirts. Through shifting perspectives, the film examines migration, control, and the space between perception and reality.
Centred on an exchange of knowledge and experience between an indigenous Ainu elder and a filmmaker during the early stages of her pregnancy, Scent Line on a Moving Mountain pays close attention to the sensations of a type of ecological relationship that is no longer commonly practiced in Hokkaido, Japan. We see the two women foraging and cooking together, finding abundance where it isn’t immediately apparent.
Lucas, a death row chef is already down on his luck when a new order comes to his kitchen, and it's from the man who murdered his son. He's left with an ultimatum: cook the meal or lose his job. Tempers run hot, but revenge is always a dish best served cold.
Maria and Demetra are two sisters who live together again, after the separation of the former from Peter. We watch Maria sink into depression, making Christmas cakes and looking for a way out.
Nikos visits his best friend Haris after a long time with the intention of asking him to go for a bike ride in the park where they grew up. However, as they meet, Haris' cold attitude towards Nikos is immediately apparent. When they arrive at the park, after a short conversation, Haris breaks down and confesses his complaints and fears regarding their friendship.
Four colleagues are sitting around a table with a bottle of wine. Their conversation turns from the influence of alcohol to an issue concerning the absence of the fifth member of the group, turning the evening into a fantasy environment of guilt. The clues that surround them lead the group to uncover the culprit and unlock the real problem.
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