Wyoming, 1890. A drunken cowboy finds himself tied to a tree in the middle of nowhere with no recollection of how he got there. His kidnapper, another cowboy, tries to get him to remember the events that lead up to it as the two tell stories contradict each other. Only one is telling the truth.
When wildlife photographer Tara returns home from a photo trip to the California mountains, she's beset by violent agoraphobia. Her boyfriend Matthew tries to get her into treatment as she escalates episodes of self-harm, convincing herself that her house has become home to a dark insect brood.
After Andy Campbell, a famous child actor, gets in a car crash that permanently damages his face, James Grant is hired to be his replacement. Problems quickly emerge and James will have to take a decent into hell for the role of a lifetime.
The music from the illegal rave still reverberates in their ears as Chris and Ben roam the fields of a Cologne suburb early in the morning. When they find themselves on the grounds of their old school, a doorway into the past opens up.
Four people decide to flee to Europe, each on their own. As they face various challenges, their experiences merge into a common story without getting lost in the mass of reporting.
Matthie no longer runs so far, he prefers to stay with himself. That way he can find himself better when he gets lost. He doesn't want to think about tomorrow yet, today was just familiar. But now he and Miri realize that tomorrow is already today.
After a global catastrophe, a volcanologist and a crow live in a deserted ice desert. Driven by deep longing, he fights for survival and builds a mysterious construct.
Ritchie's youth has faded like the tattoos on his arm. When he tries to make friends with a group of young people one summer afternoon, it inevitably leads to misunderstandings. Only gradually does it become clear what Ritchie really wants.
Everythingness is an autofictional short film about the transformative power of difficult decisions, inner conflicts and feelings of guilt. In this colorful jumble of ambivalences and brushstrokes, the protagonist sets out in search of reliable truths. When she meets her doppelganger, she realizes that she can't even trust her own reflection.
At Gino's, we always drink a glass more and complain about everything that's going on, because our fear of the big world has to come from somewhere. That's nothing new, but it's still true. And an evening at Gino's is usually enough for Tina, but today it could be a bit more.
What is a Lost Place? The idyll of a white mountain landscape whose silence is broken by a wolf chase after its prey? Or is it the man-made world with its search for resources, pleasure and security? Who is intruding on whom? Who is disturbing whom? In Lost Places (Heile Welt), a wolf goes on the prowl.
At night in the forest, an idealistic woman watches short images of home movies. She goes into the forest and begins to read passages from the Generation 900 literary movement in Paraguay. The next morning, accompanied by a donkey, she climbs a hill to read.
On Hospitality is a necromantic documentary in which Iraqi artist Layla Al-Attar returns from the dead to tell the story of how a Swedish company built a luxurious hotel in Baghdad, commissioned by Saddam Hussein for the 1983 summit of the Non-Aligned Movement. The war changed all plans. Layla Al-Attar created a mosaic with the likeness of George Bush for the entrance to the hotel, and her house was hit by an American missile.
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