Performers and creators Precious Renee Tucker and Eric Christison join forces to reframe Chopin's Waltz in C-sharp minor, deconstructing its formality, structure, and cultural weight between music and movement.
Haunted by a fleeting encounter, a man becomes consumed by his obsession with a stranger. Drawn deeper into the streets of Paris, he follows the figure through an urban underworld where identity blurs, time fractures, and meaning slips out of reach. Inspired by Edgar Allan Poe’s "The Man of the Crowd," REFLECTION OF A DEADMAN is a hypnotic descent into dissociation, anonymity and the quiet terror of losing yourself while trying to find yourself. Shot on location in the alleys, cemeteries and catacombs of Paris. Watch for free on Film Shortage.
After being annoyed by his boyfriend's nagging, Bam is mysteriously offered "an alternative to him" by his own phone and gets transported back to the start of the day. Bam then proceeds to meet several different versions of his boyfriend Jess, each one more and more unlike the man he actually knew.
Juliette, in her twenties, maniac and organized finds herself locked up at home after losing her keys. She realizes that other objects have disappeared, making her think of an intrusion. She finds herself physically and psychologically trapped before understanding the key of her release.
The short focuses on Ryan, a quiet, introspective student in a state of emotional and existential drift. Although cared for by those around him, he often observes more than participates, internalising his struggles outside of fleeting moments of openness.
After seemingly surviving a violent car crash, a young man wakes up on a misty forested clearing where he's greeted by a stranger dressed fully in white who claims to be his guardian angel.
A portrait of and tribute to Surinamese icon-in-the-making Shavero Ferrier. Growing up in an environment with all kinds of stigmas around punk and rock music, he kickstarted a community and ultimately built the alternative scene he’d longed for himself.
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