While hunting an everchanging prey, deep into the vast forest of perception, a restless character becomes captive in a surreal time capsule loop of overthinking. When he finally unfreezes, he finds nothing but the closure of his lifetime, while he becomes an observed thought.
One day, Zoe discovers a zoetrope shaped like a record player in an abandoned cabin - an optical illusion of individual images that, when spun at high speed, create the illusion of seamless motion. Mesmerised by the sight, Zoe sets the device in Motion until she notices that one of the figures breaks free from its position and begins to overtake its predecessor. Triggered by the zoetrope, the impossible begins to spill into Zoe’s reality. As she overtakes her future self, her life begins to spiral out of control, piece by piece.
An autistic witness gives a statement in court about a stabbing at a bus stop. She attempts to ignore the buzzing courtroom lights, the constant eye-contact from the jury and tries to manage her own distressing emotions recalling the event – all the while navigating the confusing questions from the legal staff, who don’t seem to be able to understand her situation or enable her to be helpful. Until… A narrative story entirely set in one court room over the course of the witness statement, intercutting with a visualisation of what’s going on in the autistic protagonist’s mind.
A heartfelt romantic drama that beautifully portrays the simplicity of love, the weight of unspoken emotions, and the power of timing. Sometimes, life gives us one perfect moment to express what the heart truly feels. Will they take that chance?
Badaa Karara Pudna follows the journey of six spirited sisters who reunite for an unexpected challenge. What begins as a nostalgic attempt to relive their youthful days soon turns into an emotional rollercoaster as old wounds resurface, egos clash, and differences threaten to break them apart. With its blend of emotion, humor, and celebration, the film captures the essence of tradition, the power of togetherness and stands as a true ode to womanhood.
This 90 minute feature film shows real stories of survival and redemption from the origins of YWAM Port Harcourt, Nigeria with Paul and Rachel Dangtoumda. Viewers will see victims of militant village attacks and occultic rebels transformed forever by faith and forgiveness. Their stories were captured with rugged realism by director, David L Cunningham, with cast and crew in South Africa and Nigeria in late 2025. GO Africa will also have a global premiere on November 6-9 with regional cinematic and streaming releases to follow.
To escape an arranged marriage in the Dragon Palace, Kim Yong-man, the dragon king's daughter, flees to the human world and begins high school, determined to become the top of her class. There, she encounters Shim Hae-soo, the current number one student sitting beside her. As rivalry shifts into friendship, the two gradually become special to each other.
This is the story of a death, that of José Luis Alvarenga. According to the police section of a provincial newspaper, it was reported as the result of a "unique Creole duel." On Christmas Eve. A rural town in the interior of Chaco, a provocation, a reaction, an unequal confrontation that ends with José Luis dead. Several neighbors witness the incident, one of whom says, "They killed Lorenzo Lamas." Thus begins this simple, unknown story, which this film seeks to bring to life.
A mother and daughter are going through hard times in a refugee camp. The father has disappeared while fighting for Ukraine’s freedom, leaving them among other women with similar fates. Fear, uncertainty, and crushing loneliness are emotions almost all of them know well. Yet even growing closer to one another carries risks – not all of which they are aware.
We follow several cleaners in their daily battle against dirt. Floors are mopped, toilets scrubbed, a car washed, windows polished and a lawn cleared of leaves. These are everyday, unavoidable and universal forms of cleaning that play an obvious role in everyone’s life. Only here, the setting is highly specific: the car turns out to be a hearse, the lawn a cemetery and the interiors those of a crematorium. The everyday tragedy of cleaning is thus placed in relation to the fundamental tragedy of death.
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