This film is a scrambled narrative that illustrates, in soap opera fashion, life of artists in Lower Manhattan and at the same time dramatizes questions about the nature of filmic representation. Split decision is a boxing term used when the judges divide their votes in finding a winner. In this case the fight is between the two heroes of the film who are seen intermittently in a bar, negotiating a pick-up, and at home, breaking up in a domestic quarrel. The fight is also in the telling, between modes of conventional representation and modes of radical representation - between conventional continuity editing, and abstraction created through computer generated grids. The film features an appearance by Carolee Schneemann and digital imaging from before the era of personal computers.
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| Sound | Helene Kaplan | Sound Recordist |
| Directing | Kathleen King | Assistant Director |
| Production | Gloria Norris | Producer |
| Production | Bruce Bixler | Producer |
| Camera | Tom Siegel | Camera Operator |
| Sound | Mike Penland | Sound Recordist |
| Lighting | Felix Kutlik | Lighting Technician |
| Production | Mike Dooley | Producer |
| Camera | Ruth Hardinger | Still Photographer |
| Directing | Bill Brand | Director |
| Production | Lauren Abrams | Producer |
| Camera | Pamela Yates | Assistant Camera |
| Production | Barbara Mayfield | Producer |
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