Dahlia Williams and her daughter Cecelia move into a rundown apartment on New York's Roosevelt Island. Dahlia is in the midst of divorce proceedings, and the apartment, though near an excellent school for her daughter, is all she can afford. From the time she arrives, there are mysterious occurrences—and there is a constant drip from the ceiling in her daughter's bedroom…
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| Production | Doug Davison | Producer |
| Production | Roy Lee | Producer |
| Directing | Walter Salles | Director |
| Writing | Kôji Suzuki | Novel |
| Production | Mali Finn | Casting |
| Production | Bill Mechanic | Producer |
| Editing | Daniel Rezende | Editor |
| Production | Ashley Kramer | Executive Producer |
| Production | Kelli Lerner | Casting |
| Camera | Affonso Beato | Director of Photography |
| Sound | Angelo Badalamenti | Original Music Composer |
| Art | Thérèse DePrez | Production Design |
| Writing | Rafael Yglesias | Screenplay |
| Production | Tina Gerussi | Casting |
| Production | Carole Tarlington | Casting |
| Production | Diana Pokorny | Co-Producer |
| Production | Kerry Foster | Associate Producer |
| Costume & Make-Up | Michael Wilkinson | Costume Design |
| Art | Clive Thomasson | Set Decoration |
| Art | Andrew M. Stearn | Art Direction |
| Art | Nicholas Lundy | Art Direction |
| Art | Jennifer Jacobsen | Set Decoration Buyer |
| Camera | Russel Bowie | First Assistant Camera |
| Visual Effects | Heather Elisa Hill | Visual Effects Coordinator |
| Art | John Mackenzie | Construction Coordinator |
| Crew | Brooke Cale | Stand In |
| Sound | Steve Switzer | Boom Operator |
| Sound | Javier Bennassar | Foley Editor |
| Visual Effects | Mark Owen Forker | Visual Effects Supervisor |
| Crew | Henrique Rezende | Special Sound Effects |
| Crew | Olívia Guimarães | Post Production Supervisor |
| Art | Vic Rigler | Property Master |
| Crew | Lauren A. Bonfiglio | Stunts |
| Production | Jonathan Leeder | Casting Associate |
| Sound | Joe E. Rand | Music Editor |
| Art | J. Ryan Halpenny | Assistant Art Director |
| Crew | Lauren Gale | Craft Service |
| Lighting | Donald M. Angst | Electrician |
| Production | Sabine Graham | Production Coordinator |
| Sound | Rickley W. Dumm | First Assistant Sound Editor |
| Sound | Frank Gaeta | Sound Designer |
| Sound | Paul Berolzheimer | Sound Effects Editor |
| Sound | James Wright | Dolby Consultant |
| Art | Jennifer Santucci | Art Department Assistant |
| Art | Rudy Braun | Set Designer |
| Art | Gary Cergol | Art Department Coordinator |
| Crew | Robert S. Smith | Carpenter |
| Crew | Jason Messeri | Set Production Assistant |
| Crew | G. A. Aguilar | Stunt Coordinator |
| Crew | Ahmad Ismail | Telecine Colorist |
| Production | Amy Herman | Unit Production Manager |
| Sound | Willy Allen | Dialogue Editor |
| Editing | Dawn M. Stoliar | First Assistant Editor |
| Production | Andrea Isaacs | Production Supervisor |
| Sound | Patrick Russ | Orchestrator |
| Sound | Glen Gauthier | Production Sound Mixer |
| Costume & Make-Up | David R. Beecroft | Key Hair Stylist |
| Editing | Kenny Becker | Color Timer |
| Sound | Frank Gaeta | Supervising Sound Editor |
| Crew | B.J. Smith | Set Medic |
| Crew | Martin Clark | Technical Supervisor |
| Sound | David Bach | ADR Supervisor |
| Camera | Mike Kirilenko | Key Grip |
| Directing | David Webb | First Assistant Director |
| Visual Effects | Dan Cobbett | Digital Compositors |
| Art | Jonathan Roumie | Location Scout |
| Crew | Karen Pidgurski | Unit Publicist |
| Visual Effects | John Coats | 3D Animator |
| Art | Joseph Proscia | Leadman |
| Camera | Tony Arnaud | Grip |
| Costume & Make-Up | Wayne Herndon | Hairstylist |
| Crew | Francie Brown | Dialect Coach |
| Crew | Lincoln Kupchak | Visual Effects Editor |
| Visual Effects | Tim Everitt | Animation Supervisor |
| Costume & Make-Up | Debbie Lucas | Seamstress |
| Crew | Gordon J. Smith | Makeup Effects |
| Crew | Rickey Giallonardo | Transportation Co-Captain |
| Lighting | Morris Flam | Gaffer |
| Lighting | Clay Liversidge | Rigging Gaffer |
| Costume & Make-Up | Sylvain Cournoyer | Key Makeup Artist |
| Crew | Brian Carmichael | Video Assist Operator |
| Directing | Susan Marucci | Script Supervisor |
| Lighting | Bill Almeida | Best Boy Electric |
| Camera | Angelo Colavecchia | Camera Operator |
| Costume & Make-Up | Tina Earnshaw | Makeup Artist |
| Crew | Mark Bero | Special Effects Coordinator |
| Visual Effects | Peter Chesney | Special Effects Supervisor |
| Visual Effects | Todd Isroelit | Visual Effects Producer |
| Camera | Jim Bridges | Still Photographer |
| Costume & Make-Up | Jay Du Boisson | Assistant Costume Designer |
| Sound | Michael Barosky | Sound Mixer |
| Sound | Robert Fernandez | Scoring Mixer |
| Production | Lynn H. Powers | Assistant Location Manager |
| Visual Effects | Metin Gungor | Matte Painter |
| Directing | Adam Weisinger | Second Second Assistant Director |
| Production | Audra Gorman | Location Coordinator |
| Directing | Devin Hillier | Third Assistant Director |
| Crew | Mike Thompson | Special Effects Technician |
| Camera | João Villela | Camera Trainee |
| Costume & Make-Up | Kate Quinlan | Wardrobe Supervisor |
| Sound | Peter Gleaves | ADR Mixer |
| Editing | Suzy Gilbert | Assistant Editor |
| Editing | Mary Beth Smith | Negative Cutter |
| Sound | Cameron Steenhagen | ADR Editor |
| Sound | Brian Dunlop | ADR Recordist |
| Sound | Dennis Twitty | Sound Assistant |
| Crew | Timothy R. Hoffman | Special Effects Assistant |
| Camera | Kathleen Corgan | Second Assistant Camera |
| Production | Andrew Jablonski | Assistant Accountant |
| Production | Alison Davis | Production Secretary |
| Art | Rob McCallum | Storyboard Artist |
| Crew | Wendi Bromley | Stunt Double |
| Costume & Make-Up | Nicci Schinman | Costumer |
| Directing | Bruno Bryniarski | Second Assistant Director |
| Crew | Mark Rice | Key Special Effects |
| Visual Effects | Mesrop Abrahamian | Rotoscoping Artist |
| Production | Melissa Girotti | Travel Coordinator |
| Lighting | Kenny Burke | Key Rigging Grip |
| Costume & Make-Up | Julia Valente | Assistant Makeup Artist |
| Art | Susan Bradley | Title Designer |
| Editing | David Bernstein | Colorist |
| Production | Scott Ross | General Manager |
| Lighting | Richard Yacuk | Rigging Grip |
| Visual Effects | Sean Devereaux | Visual Effects Compositor |
| Camera | Kevin Flynn | Best Boy Grip |
| Production | Kip Myers | Location Assistant |
| Production | Maurice Sessoms | Additional Production Assistant |
| Visual Effects | Darren Poe | Compositing Supervisor |
| Production | Judy Pursley | First Assistant Accountant |
| Sound | Chris Trent | Foley Mixer |
| Production | Lee Ann Cotton | Assistant Production Coordinator |
| Sound | Catherine Harper | Foley Artist |
| Visual Effects | Jamison Huber | Visual Effects Production Assistant |
| Production | Claudine Franco | Post Production Coordinator |
| Crew | Timothy Healy | Generator Operator |
| Camera | John Colavecchia | Assistant Camera |
| Camera | Elizabeth Hedges | Camera Loader |
| Camera | Matt Blades | Dolly Grip |
| Art | David Best | Graphic Designer |
| Editing | Maria Montoreano | Associate Editor |
| Crew | Cameron S. Brooke | Key Scenic Artist |
| Production | Peter Madamba | Script Researcher |
| Art | Nick Evans | Set Decoration |
| Production | Mark Logan | Location Manager |
| Sound | Dan Wilken | Sound Recordist |
| Art | Peter DeCurtis | Set Dresser |
| Production | Daniela Barbosa | Production Assistant |
| Crew | Jay Spadaro | Stunts |
| Crew | Morgan Rue | Stunts |
| Crew | Kelly Jones | Stunts |
| Crew | Jamie Jones | Stunt Coordinator |
| Crew | Dana Jones | Stunts |
| Crew | Ciara Jones | Stunts |
| Crew | Jeffrey Lee Gibson | Stunts |
| Crew | Tom Farr | Stunts |
| Crew | Mavis Corrigan | Stunts |
| Crew | Blaise Corrigan | Stunts |
| Crew | Chloe Jones | Stunts |
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