In this reenactment of a propaganda documentary, a woman is falling prey to the role assigned to her in slow motion. Upon her arrest, diplomat Mária Kerényi is interviewed by the state television. Her story in espionage confronts the mechanisms of autocracy and the concept of guilt in a closed society.
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| Directing | Daniel Misota | Director |
| Camera | Bálint Orosz | Director of Photography |
| Art | Gréta Melicher | Production Design |
| Costume & Make-Up | Dóra Pattantyus | Costume Design |
| Production | Gerzson Szántó | Production Manager |
| Sound | Bálint Zándoki | Location Sound Mixer |
| Directing | Kata Incze | First Assistant Director |
| Production | József Fülöp | Producer |
| Art | Máté Kudar | Art Direction |
| Writing | Daniel Misota | Screenplay |
| Camera | Gergely Gyenes-Kristófi | Focus Puller |
| Camera | Endre Dániel Tóth | Assistant Camera |
| Sound | András Pór | Boom Operator |
| Costume & Make-Up | Réka Wolf | Makeup Artist |
| Sound | Csaba Zubonyai | Boom Operator |
| Lighting | Ferenc Halabuk | Gaffer |
| Lighting | György Tóth | Best Boy Electrician |
| Lighting | Konrád Taródi-Nagy | Electrician |
| Lighting | Tamás Lovizer | Electrician |
| Lighting | Bence Pintér | Electrician |
| Camera | Máté Miklósfalvi | Assistant Camera |
| Camera | Attila Bakos | Grip |
| Camera | Daniella Grinberg | Camera Trainee |
| Costume & Make-Up | Niccolo Cina | Hair Designer |
| Directing | Adam Angyalosi | Second Assistant Director |
| Production | Marcell Marton | Executive Producer |
| Art | László Kanyó | Art Department Assistant |
| Visual Effects | András Pflum | Visual Effects |
| Editing | András Szűcs | Colorist |
| Sound | Tamás Zányi | Sound Designer |
| Editing | Daniel Misota | Editor |
| Camera | Janos Toth | Dolly Grip |
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