A struggling screenwriter inadvertently becomes entangled in the Los Angeles criminal underworld after his oddball friends kidnap a gangster's beloved Shih Tzu.
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| Directing | Martin McDonagh | Director |
| Production | Martin McDonagh | Producer |
| Editing | Lisa Gunning | Editor |
| Art | David Wasco | Production Design |
| Writing | Martin McDonagh | Screenplay |
| Production | Peter Czernin | Producer |
| Production | Tessa Ross | Executive Producer |
| Camera | Ben Davis | Director of Photography |
| Costume & Make-Up | Karen Patch | Costume Design |
| Sound | Carter Burwell | Original Music Composer |
| Production | Graham Broadbent | Producer |
| Costume & Make-Up | Gary Archer | Prosthetics |
| Crew | Scott Wilder | Stunts |
| Crew | Tim Gilbert | Stunts |
| Crew | Laura Albert | Stunts |
| Crew | Lance Gilbert | Stunts |
| Crew | Gregory J. Barnett | Stunts |
| Crew | Freddy Bouciegues | Stunts |
| Crew | Mike Smith | Stunt Coordinator |
| Crew | Ronn Surels | Stunts |
| Directing | Paula Case | Second Assistant Director |
| Camera | Chuck Zlotnick | Still Photographer |
| Camera | Stephen S. Campanelli | Steadicam Operator |
| Production | Robert Foulkes | Location Manager |
| Production | Lark Bernini | Production Coordinator |
| Production | Andrew Blau | Production Supervisor |
| Costume & Make-Up | Howard Berger | Special Effects Makeup Artist |
| Production | Sarah Harvey | Co-Producer |
| Directing | Peter Kohn | First Assistant Director |
| Sound | Michael Primmer | Boom Operator |
| Crew | Spike Silver | Stunts |
| Crew | David Fencl | Armorer |
| Production | Betsy Danbury | Co-Producer |
| Camera | Stephen S. Campanelli | "A" Camera Operator |
| Sound | David Raymond | Boom Operator |
| Production | Betsy Danbury | Unit Production Manager |
| Art | Shari Ratliff | Art Department Coordinator |
| Costume & Make-Up | Greg Nicotero | Special Effects Makeup Artist |
| Art | Sandy Reynolds-Wasco | Set Decoration |
| Sound | Geoffrey Patterson | Sound Mixer |
| Directing | Scott Peterson | Script Supervisor |
| Art | Ritchie Kremer | Property Master |
| Art | Zoe Byrne | Art Department Assistant |
| Art | Charles Kern | Standby Painter |
| Lighting | Michael J. Schwartz | Best Boy Electric |
| Camera | Troy N. Wade | Dolly Grip |
| Art | Brent Rice | Leadman |
| Lighting | Chris Napolitano | Gaffer |
| Production | Sarah Halley Finn | Casting |
| Production | Steven Butensky | Production Accountant |
| Costume & Make-Up | Deborah La Mia Denaver | Makeup Department Head |
| Costume & Make-Up | Bill Myer | Makeup Artist |
| Art | Curtis Corbitt | Assistant Property Master |
| Lighting | R. Michael De Chellis | Rigging Gaffer |
| Camera | John Janusek | Key Grip |
| Costume & Make-Up | Bonni Flowers | Makeup Artist |
| Costume & Make-Up | Lindsey Kear | Assistant Costume Designer |
| Crew | Ron Trost | Special Effects Coordinator |
| Camera | John P. Shine | Best Boy Grip |
| Sound | Paul Wrightson | ADR Editor |
| Art | Daniel R. Jennings | Set Designer |
| Sound | Chris Burdon | Sound Re-Recording Mixer |
| Crew | Alistair Hopkins | Post Production Supervisor |
| Art | Larry Guy Clause | Construction Foreman |
| Crew | David Deever | Video Assist Operator |
| Sound | Tomas Krantz | Foley Recordist |
| Sound | Matt Biffa | Music Supervisor |
| Crew | William DiCenso | Video Assist Operator |
| Sound | Christer Melén | Sound Effects Editor |
| Sound | Dina Eaton | Music Editor |
| Art | Mike Medina | Construction Coordinator |
| Sound | Doug Cooper | Sound Re-Recording Mixer |
| Crew | Claire Raskind | Unit Publicist |
| Sound | Joakim Sundström | Supervising Sound Editor |
| Sound | Ulf Olausson | Foley Artist |
| Visual Effects | Drew Jones | Visual Effects Producer |
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