Leonard Jackson plays a barber who is also the domineering head of a middle-class African American family. Jackson is forced to rethink his values when his previously docile wife (Clarice Taylor) joins their three children in rebelling against her husband's retrogressive behavior.
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| Production | Kay Korwin | Associate Producer |
| Writing | Charlie L. Russell | Screenplay |
| Directing | Oscar Williams | Director |
| Production | Brock Peters | Producer |
| Sound | H.B. Barnum | Music |
| Writing | Charlie L. Russell | Teleplay |
| Production | Michael Tolan | Producer |
| Sound | H.B. Barnum | Original Music Composer |
| Camera | Gene Polito | Director of Photography |
| Editing | Michael Economou | Editor |
| Production | Judith Landau | Casting |
| Art | Mary Swanson | Set Decoration |
| Costume & Make-Up | Ruby Ford | Hairstylist |
| Costume & Make-Up | Paul Stanhope Jr. | Makeup Artist |
| Production | Alan Belkin | Executive In Charge Of Production |
| Directing | Xavier Reyes | Second Assistant Director |
| Directing | Edward Teets | Assistant Director |
| Art | William M. Bates | Property Master |
| Art | Solomon Brewer | Assistant Property Master |
| Art | James L. Schoppe | Set Designer |
| Sound | Bernard F. Pincus | Sound Effects Editor |
| Sound | Ronald L. Stirling | Boom Operator |
| Sound | Richard Wagner | Sound Mixer |
| Lighting | Glen Knight | Gaffer |
| Camera | Bob Rose | Key Grip |
| Camera | Jack Willoughby | Camera Operator |
| Costume & Make-Up | Stephanie Colin | Wardrobe Coordinator |
| Editing | David Ramirez | Associate Editor |
| Sound | Milton Lustig | Music Editor |
| Directing | Marvin Weldon | Script Supervisor |
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