CHE was the first feature to use the Red camera, which Soderbergh embraced for its versatility and image quality. This short 2009 documentary looks at the evolution of the camera during the film’s production and at the many ways it has enhanced and altered the process of modern digital filmmaking.
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| Camera | Frank Nolan | Camera Operator |
| Sound | Merce Williams | Sound |
| Camera | Mead Hunt | Camera Operator |
| Production | David Phillips | Producer |
| Camera | Barry Braverman | Camera Operator |
| Sound | Charlie Macarone | Sound |
| Production | Peter Becker | Executive Producer |
| Production | Fumiko Takagi | Executive Producer |
| Editing | Isabel Sadurni | Editor |
| Camera | Damon Bundschuh | Assistant Camera |
| Sound | Frank Nolan | Sound |
| Camera | Jim Anderson | Camera Operator |
| Production | Jonathan Turell | Executive Producer |
| Editing | Chris Ramsey | Online Editor |
| Production | Alexandre Mabilon | Researcher |
| Sound | Dale Chase | Sound Mixer |
| Production | Angie Bucknell | Production Director |
| Production | Kim Hendrickson | Producer |
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