Pittsburgh, Pennsylvania, 1991. High school freshman Charlie is a wallflower, always watching life from the sidelines, until two senior students, Sam and her stepbrother Patrick, become his mentors, helping him discover the joys of friendship, music and love.
Is The Perks of Being a Wallflower on Netflix? Yes! The movie The Perks of Being a Wallflower is now on Netflix in the countries listed below.
| Editing | Mary Jo Markey | Editor |
| Writing | Stephen Chbosky | Screenplay |
| Writing | Stephen Chbosky | Novel |
| Directing | Stephen Chbosky | Director |
| Production | John Malkovich | Producer |
| Art | Inbal Weinberg | Production Design |
| Camera | Andrew Dunn | Director of Photography |
| Production | James Powers | Executive Producer |
| Sound | Michael Brook | Original Music Composer |
| Production | Lianne Halfon | Producer |
| Production | Russell Smith | Producer |
| Production | Stephen Chbosky | Executive Producer |
| Directing | Diane H. Newman | Script Supervisor |
| Production | Venus Kanani | Casting |
| Production | Mary Vernieu | Casting |
| Lighting | Patrick Murray | Gaffer |
| Art | Merissa Lombardo | Set Decoration |
| Sound | Richard Dawn | Sound Editor |
| Costume & Make-Up | David C. Robinson | Costume Designer |
| Visual Effects | Adam Avitabile | Visual Effects Supervisor |
| Sound | Alexandra Patsavas | Music Supervisor |
| Sound | Anthony Cargioli | Boom Operator |
| Directing | Chip Signore | First Assistant Director |
| Sound | Jeffree Bloomer | Sound Mixer |
| Crew | Eric Bergman | Post Production Supervisor |
| Production | James Powers | Unit Production Manager |
| Art | Gregory A. Weimerskirch | Art Direction |
| Costume & Make-Up | Evelyne Noraz | Makeup Department Head |
| Camera | Keith Seymour | Key Grip |
| Costume & Make-Up | Suzy Mazzarese-Allison | Hair Department Head |
| Production | Natalie Angel | Production Coordinator |
| Sound | Perry Robertson | Supervising Sound Editor |
| Sound | Gregg Barbanell | Foley Artist |
| Crew | Blaise Corrigan | Stunt Coordinator |
| Camera | John Bramley | Still Photographer |
| Art | Christina Myal | Graphic Designer |
| Production | Chris Gary | Associate Producer |
| Costume & Make-Up | Patty Bell | Key Makeup Artist |
| Costume & Make-Up | Nancy Keslar | Key Hair Stylist |
| Sound | Marshall Garlington | Sound Re-Recording Mixer |
| Production | Gillian Brown | Co-Producer |
| Production | Janice F. Sperling | Production Supervisor |
| Production | Ava Dellaira | Associate Producer |
| Production | Shawn Boyachek | Location Manager |
| Sound | Joe Barnett | Sound Re-Recording Mixer |
| Sound | Trevor Metz | Sound Editor |
| Sound | Bruce Tanis | Sound Editor |
| Sound | Noel Vought | Foley Artist |
| Art | Pete Dancy | Property Master |
| Crew | Russell Tyrrell | Special Effects Coordinator |
| Sound | Scott Sanders | Supervising Sound Editor |
| Directing | Susan Ransom-Coyle | Second Assistant Director |
| Costume & Make-Up | Amanda Jenkins | Set Costumer |
| Costume & Make-Up | Diane Collins | Costume Supervisor |
| Costume & Make-Up | Melanie Cargioli | Set Costumer |
| Visual Effects | Phillip Hoffman | Visual Effects Producer |
| Art | Eugene Doyle | Set Dresser |
| Art | Thomas F. Kelly | Set Dresser |
| Art | Aaron Streiner | Set Dresser |
| Crew | Samantha MacIvor | Stunts |
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