In the era of normalisation, a number of (pseudo)historical films were made, even described as reconstructions, which glorified the world-building mission of the Communist Party and attributed to it exclusively humanitarian intentions ("Days of Betrayal", "Sokolovo", "Liberation of Prague", "The Victorious People"). In 1929, when its fifth congress met, Klement Gottwald, who had taken the line of the Russian Bolsheviks, took over the leadership of the Communists...
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| Directing | Antonín Kachlík | Director |
| Directing | Ondřej Friedl | Assistant Director |
| Directing | Lada Vacková | First Assistant Director |
| Camera | Ivan Šlapeta | Director of Photography |
| Writing | Jaroslav Matějka | Screenplay |
| Crew | Ludvík Toman | Dramaturgy |
| Art | Milan Nejedlý | Production Design |
| Costume & Make-Up | František Čížek | Makeup & Hair |
| Sound | Jiří Pavlík | Sound |
| Writing | Jaroslav Matějka | Story |
| Costume & Make-Up | Petra Barochová | Costumer |
| Editing | Jaromír Janáček | Editor |
| Art | Josef Kraus | Assistant Production Design |
| Art | Karel Kočí | Set Decoration |
| Writing | Antonín Kachlík | Screenplay |
| Camera | Richard Valenta | Camera Operator |
| Camera | Oldřich Kovář | Assistant Camera |
| Costume & Make-Up | Jiří Hurych | Makeup & Hair |
| Costume & Make-Up | Petr Diviš | Costume Design |
| Production | Jan Balzer | Production Manager |
| Sound | Vladimír Sommer | Original Music Composer |
| Costume & Make-Up | Dagmar Krausová | Costumer |
| Sound | František Belfín | Conductor |
| Writing | Antonín Kachlík | Story |
| Camera | Miloslav Mirvald | Still Photographer |
| Directing | Jiří Růžička | First Assistant Director |
| Production | Oldřich Mach | Unit Manager |
| Production | Zdeňka Černá | Unit Manager |
| Directing | Jaroslava Čapková | Script Supervisor |
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