Private eye Jake Gittes lives off of the murky moral climate of sunbaked, pre-World War II Southern California. Hired by a beautiful socialite to investigate her husband's extra-marital affair, Gittes is swept into a maelstrom of double dealings and deadly deceits, uncovering a web of personal and political scandals that come crashing together.
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Art | W. Stewart Campbell | Art Direction |
Art | Ruby R. Levitt | Set Decoration |
Production | Mike Fenton | Casting |
Crew | Logan Frazee | Special Effects |
Art | Richard Sylbert | Production Design |
Production | Jane Feinberg | Casting |
Production | Robert Evans | Producer |
Sound | Jerry Goldsmith | Original Music Composer |
Editing | Sam O'Steen | Editor |
Sound | Bob Cornett | Sound Editor |
Sound | John C. Hammell | Music Editor |
Camera | John A. Alonzo | Director of Photography |
Directing | Roman Polanski | Director |
Costume & Make-Up | Anthea Sylbert | Costume Design |
Sound | Larry Jost | Sound Mixer |
Crew | Hal Needham | Stunt Coordinator |
Camera | Hugh K. Gagnier | Camera Operator |
Production | C.O. Erickson | Unit Production Manager |
Costume & Make-Up | Lee C. Harmon | Makeup Artist |
Costume & Make-Up | Susan Germaine | Hairstylist |
Art | Bill MacSems | Property Master |
Lighting | Earl Gilbert | Gaffer |
Directing | Hawk Koch | Assistant Director |
Camera | Bernie Schwartz | Key Grip |
Sound | Clint Althouse | Boom Operator |
Art | Wayne Fitzgerald | Title Designer |
Editing | Florence Williamson | Assistant Editor |
Sound | Charles Grenzbach | Sound Re-Recording Mixer |
Costume & Make-Up | Vivienne Walker | Hairstylist |
Directing | May Wale Brown | Script Supervisor |
Production | C.O. Erickson | Associate Producer |
Costume & Make-Up | Hank Edds | Makeup Artist |
Directing | Michele Ader | Second Assistant Director |
Costume & Make-Up | Richard Bruno | Wardrobe Supervisor |
Costume & Make-Up | Jean Merrick | Wardrobe Supervisor |
Writing | Robert Towne | Writer |
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