Matt and George investigate a series of strange occurrences involving newcomers, who are found to be programmed to carry out someone's dirty work. The method by which they are brainwashed dates back to the slave ship's rebellion group, the Udara, who, we discover, Susan was a part of. Susan and George's lives are further disrupted when Buck enrols in the police academy.
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| Directing | Kenneth Johnson | Director |
| Writing | Rockne S. O'Bannon | Characters |
| Writing | Renee Longstreet | Writer |
| Writing | Harry Longstreet | Writer |
| Production | Ron Mitchell | Producer |
| Sound | Steve Dorff | Original Music Composer |
| Camera | Ronald Víctor García | Director of Photography |
| Editing | Alan C. Marks | Editor |
| Production | Irene Cagen | Casting |
| Art | Colin D. Irwin | Art Direction |
| Art | Kathy Curtis-Cahill | Set Decoration |
| Costume & Make-Up | Catherine Adair | Costume Design |
| Costume & Make-Up | David Abbott | Key Makeup Artist |
| Costume & Make-Up | Zoltan Elek | Makeup Artist |
| Costume & Make-Up | Carolyn Ferguson | Hairstylist |
| Costume & Make-Up | Edouard F. Henriques III | Makeup Artist |
| Costume & Make-Up | Janna Phillips | Makeup Artist |
| Costume & Make-Up | Ellen Powell | Hairstylist |
| Costume & Make-Up | Craig Reardon | Makeup Artist |
| Crew | Rick Stratton | Makeup Effects |
| Costume & Make-Up | Karen Westerfield | Makeup Artist |
| Production | Enid L. Kantor | Production Supervisor |
| Production | Ron Mitchell | Production Manager |
| Directing | Venita Ozols-Graham | First Assistant Director |
| Art | Joe Del Monte | Construction Coordinator |
| Art | Martha Goode | Art Department Coordinator |
| Crew | Walter Lab | Scenic Artist |
| Art | Rob Tharp | Lead Painter |
| Art | Drew Williams | Leadman |
| Art | Michael Wilson | Property Master |
| Sound | Maciek Malish | Dialogue Editor |
| Sound | Edward L. Moskowitz | Sound Mixer |
| Sound | David Rawlinson | Supervising Sound Editor |
| Sound | Christopher B. Reeves | Supervising Sound Editor |
| Sound | Anthony David Sanucci | Boom Operator |
| Sound | Nello Torri | Sound Re-Recording Mixer |
| Sound | Doug E. Turner | Sound Re-Recording Mixer |
| Sound | David John West | Sound Re-Recording Mixer |
| Visual Effects | F. Lee Stone | Special Effects Supervisor |
| Visual Effects | Tim Landry | Visual Effects Supervisor |
| Crew | Jon H. Epstein | Stunt Coordinator |
| Camera | Sean Doyle | Camera Operator |
| Lighting | Jeffrey Ray Strong | Best Boy Electric |
| Camera | Wendy Van Dyke | First Assistant Camera |
| Camera | Gary Welch | Key Grip |
| Costume & Make-Up | Yvonne Kubis | Key Costumer |
| Costume & Make-Up | Buffy Snyder | Wardrobe Supervisor |
| Editing | Carin-Anne Strohmaier | First Assistant Editor |
| Production | Marvin J. Bernstein | Location Manager |
| Sound | Kim Naves | Music Editor |
| Directing | Petra Jorgensen | Script Supervisor |
| Crew | Bob Brown | Stunts |
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