Contemporary film critics regard the epic film I Am Cuba as a modern masterpiece. The 1964 Cuban/Soviet coproduction marked a watershed moment of cultural collaboration between two nations. Yet the film never found a mass audience, languishing for decades until its reintroduction as a "classic" in the 1990s. Vicente Ferraz explores the strange history of this cinematic tour de force, and the deeper meaning for those who participated in its creation.
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| Writing | Vicente Ferraz | Writer |
| Directing | Vicente Ferraz | Director |
| Production | Isabel Martinez | Executive Producer |
| Editing | Mair Tavares | Editor |
| Sound | César Fernández Ardavín | Sound Editor |
| Production | Leonardo Edde | Co-Producer |
| Editing | Dull Janiel | Editor |
| Camera | Tareq Daoud | Director of Photography |
| Camera | Vicente Ferraz | Director of Photography |
| Sound | Jenny Padrón | Original Music Composer |
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