When alcoholic homicide investigator Valnikov is transferred to a burglary case that seems to involve a creepy dogcatcher, he's also given a new partner -- the pragmatic Sgt. Natalie Zimmerman, who's experiencing a midlife crisis and does not welcome Valnikov's company. But as these emotionally bruised cops are drawn deeper into the bizarre world of dog shows, animal fanatics and pet cemeteries, they're also drawn to each other.
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Directing | Harold Becker | Director |
Writing | Joseph Wambaugh | Novel |
Writing | Joseph Wambaugh | Screenplay |
Production | Lee Rafner | Production Manager |
Art | Arthur Jeph Parker | Set Decoration |
Costume & Make-Up | Bob Mills | Makeup Artist |
Costume & Make-Up | Kaye Pownall | Hairstylist |
Camera | Donald E. Thorin | Camera Operator |
Sound | Don Coufal | Boom Operator |
Costume & Make-Up | Susan Becker | Costume Design |
Crew | Dale Newkirk | Special Effects |
Production | A. Eugene D'Onofrio | Production Accountant |
Production | Lynn Stalmaster | Casting |
Directing | Thomas J. Mack | Assistant Director |
Camera | Owen Roizman | Director of Photography |
Editing | Maury Winetrobe | Editor |
Art | Alfred Sweeney | Production Design |
Directing | Alan Greedy | Script Supervisor |
Production | Jack English | Location Manager |
Sound | Richard Bowden | Music |
Production | Frank Capra, Jr. | Producer |
Sound | Keith Stafford | Sound Editor |
Sound | Jeff Wexler | Sound mixer |
Camera | Sidney Ray Baldwin | Still Photographer |
Production | Edna Tromans | Publicist |
Sound | Maurice Jarre | Original Music Composer |
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