1968: Martin Luther King, Robert Kennedy, and Bobby Hutton are among the recent dead. In Nigeria, the Civil War is entering its second year with no end in sight. In San Francisco, the adventures of Gabriel, a young Nigerian reflects tribal, personal, and racial frictions during the tumultuous sixties. Truth is stranger than fiction in Bushman, a rare sort of film portrait, part document, part imagined – poetic in its approach to real events.
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| Camera | David Myers | Director of Photography |
| Production | Pat Riley | Producer |
| Production | James Spears | Producer |
| Production | Gene Doherty | Production Manager |
| Production | Arnie Cohen | Producer |
| Sound | David Ames | Music |
| Editing | David Schickele | Editor |
| Production | Ken Valentine | Producer |
| Sound | Peter More | Sound Mixer |
| Sound | Paul Oppenheim | Sound Recordist |
| Camera | Stephen Lighthill | Additional Director of Photography |
| Production | Daniel Loewenthal | Producer |
| Editing | Jennifer Chinlund | Editor |
| Crew | Steve Wax | Special Effects |
| Directing | Cindy Harwood | Script Supervisor |
| Camera | Kirk Smallman | Additional Director of Photography |
| Production | Mary Colwell | Producer |
| Production | Rick Paup | Producer |
| Editing | Andrew Drapkin | Color Grading |
| Writing | David Schickele | Writer |
| Directing | David Schickele | Director |
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