A newly-developed microchip designed by Zorin Industries for the British Government that can survive the electromagnetic radiation caused by a nuclear explosion has landed in the hands of the KGB. James Bond must find out how and why. His suspicions soon lead him to big industry leader Max Zorin who forms a plan to destroy his only competition in Silicon Valley by triggering a massive earthquake in the San Francisco Bay.
Is A View to a Kill on Netflix? Yes! The movie A View to a Kill is now on Netflix in the countries listed below.
| Writing | Richard Maibaum | Screenplay |
| Editing | Peter Davies | Editor |
| Directing | John Glen | Director |
| Sound | John Barry | Original Music Composer |
| Camera | Alan Hume | Director of Photography |
| Production | Debbie McWilliams | Casting |
| Art | Crispian Sallis | Set Decoration |
| Production | Tom Pevsner | Producer |
| Costume & Make-Up | Emma Porteous | Costume Design |
| Production | Michael G. Wilson | Producer |
| Production | Albert R. Broccoli | Producer |
| Writing | Michael G. Wilson | Screenplay |
| Art | Peter Lamont | Production Design |
| Art | John Fenner | Art Direction |
| Art | Maurice Binder | Main Title Designer |
| Directing | Barbara Broccoli | Assistant Director |
| Crew | Dick Ziker | Stunt Double |
| Art | Jim Morahan | Assistant Art Director |
| Directing | Willy Bogner | Action Director |
| Crew | Daniel Breton | Stunts |
| Production | Ron Quelch | Production Assistant |
| Writing | Ian Fleming | Novel |
| Crew | Frank Henson | Stunts |
| Crew | Jean Coulter | Stunt Double |
| Crew | Eddie Hice | Stunts |
| Crew | Bob Simmons | Stunt Coordinator |
| Crew | Rémy Julienne | Stunt Coordinator |
| Crew | Pat Banta | Stunt Double |
| Directing | Arthur Wooster | Second Unit Director |
| Crew | Chris Webb | Stunts |
| Crew | M. James Arnett | Stunt Coordinator |
| Crew | Jason White | Stunts |
| Crew | François Nadal | Stunts |
| Crew | Greg Powell | Stunts |
| Crew | Bill Weston | Stunts |
| Crew | Elaine Ford | Stunts |
| Crew | Michael Runyard | Stunts |
| Crew | Claude Carliez | Stunt Coordinator |
| Crew | Tracey Eddon | Stunts |
| Crew | Michel Julienne | Stunt Driver |
| Crew | Jean-Claude Houbart | Stunt Driver |
| Sound | John Taylor | Theme Song Performance |
| Sound | Simon Le Bon | Theme Song Performance |
| Sound | Nick Rhodes | Theme Song Performance |
| Crew | Eddie Powell | Stunts |
| Art | Jille Azis | Assistant Set Decoration |
| Sound | Andy Taylor | Theme Song Performance |
| Sound | Roger Taylor | Theme Song Performance |
| Production | Leonhard Gmür | Production Manager |
| Production | Jón Þór Hannesson | Production Manager |
| Production | Philip Kohler | Production Manager |
| Production | Ned Kopp | Production Supervisor |
| Production | Serge Touboul | Production Manager |
| Production | Iris Rose | Unit Manager |
| Production | Anthony Waye | Production Supervisor |
| Art | Ted Ambrose | Assistant Art Director |
| Art | Michael Boone | Assistant Art Director |
| Sound | Colin Miller | Sound Editor |
| Editing | John Nuth | Assistant Editor |
| Editing | Henry Richardson | Additional Editor |
| Editing | John S. Smith | Additional Editor |
| Production | Steph Benseman | Location Manager |
| Production | Nick Daubeny | Location Manager |
| Production | Jean-Marc Deschamps | Location Manager |
| Production | Rory Enke | Location Manager |
| Production | Stefan Zürcher | Location Manager |
| Sound | Alan Killick | Music Editor |
| Directing | June Randall | Continuity |
| Production | May Capsaski | Production Coordinator |
| Production | Nathalie Farjon | Production Coordinator |
| Production | Norma Garment | Production Coordinator |
| Production | Sally Hayman | Production Coordinator |
| Production | Maureen Murphy | Production Coordinator |
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