Jean Harlow arrives in Los Angeles as a teenager, pushed into showbiz by her mother and stepfather. Kindhearted agent Arthur Landau becomes Jean's mentor, while a devious Howard Hughes-like mogul grows infatuated with the beautiful young actress. Harlow herself falls for producer Paul Bern before tragedy strikes.
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| Directing | Gordon Douglas | Director |
| Writing | John Michael Hayes | Screenplay |
| Production | Joseph E. Levine | Producer |
| Sound | Neal Hefti | Original Music Composer |
| Camera | Joseph Ruttenberg | Director of Photography |
| Editing | Frank Bracht | Editor |
| Editing | Archie Marshek | Editor |
| Camera | Art Say | Still Photographer |
| Art | Robert McCrellis | Props |
| Writing | Arthur M. Landau | Book |
| Writing | Irving Shulman | Book |
| Art | Roland Anderson | Art Direction |
| Art | Hal Pereira | Art Direction |
| Art | James W. Payne | Set Decoration |
| Costume & Make-Up | Edith Head | Costume Design |
| Costume & Make-Up | Sydney Guilaroff | Hairstylist |
| Costume & Make-Up | Nellie Manley | Hairstylist |
| Costume & Make-Up | William Reynolds | Makeup Artist |
| Costume & Make-Up | Wally Westmore | Makeup Supervisor |
| Costume & Make-Up | Sherry Wilson | Hairstylist |
| Production | C. Kenneth Deland | Production Manager |
| Directing | Clifford C. Coleman | Assistant Director |
| Directing | David Salven | Assistant Director |
| Directing | Tim Zinnemann | Assistant Director |
| Art | Gene Lauritzen | Construction Coordinator |
| Sound | Ray Cossar | Sound Recordist |
| Sound | Frank Regula | Boom Operator |
| Camera | James Knott | Camera Operator |
| Camera | Gene Liggett | Assistant Camera |
| Sound | Irving Friedman | Music Supervisor |
| Sound | John C. Hammell | Music Editor |
| Sound | Maury Winetrobe | Music Editor |
| Camera | Larry Shaw | Still Photographer |
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