In 1950s Australia, young Celia is growing up with a sense of isolation and mistrust of the world that surrounds her. Her mother and father won't let her play with the kids next door because their parents are communists. Then her pet bunny is taken away because of rabbit overpopulation. And, more traumatizing yet, when her grandmother dies, she's the one to discover the corpse. To cope, she retreats into elaborate fantasies.
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| Directing | Ann Turner | Director |
| Writing | Ann Turner | Writer |
| Directing | Phil Jones | First Assistant Director |
| Directing | Chris Odgers | Second Assistant Director |
| Camera | Jaems Grant | Second Unit Director of Photography |
| Camera | Sonia Leber | Clapper Loader |
| Camera | Steve Macdonald | Focus Puller |
| Camera | Brendan Shanley | Key Grip |
| Camera | Werner Gerlach | Best Boy Grip |
| Lighting | Trevor Toune | Gaffer |
| Camera | Martin Turner | Focus Puller |
| Costume & Make-Up | Nik Dorning | Special Effects Key Makeup Artist |
| Costume & Make-Up | Carolyn Nott | Makeup Artist |
| Production | Lynda House | Production Supervisor |
| Sound | Peter Burgess | Sound Editor |
| Sound | Lloyd Carrick | Sound Recordist |
| Sound | Phil Heywood | Sound Re-Recording Mixer |
| Costume & Make-Up | Phil Eagles | Wardrobe Supervisor |
| Sound | Chris Neal | Original Music Composer |
| Camera | Geoffrey Simpson | Director of Photography |
| Editing | Ken Sallows | Editor |
| Art | Peta Lawson | Production Design |
| Costume & Make-Up | Rose Chong | Costume Design |
| Production | Gordon Glenn | Producer |
| Production | Bryce Menzies | Executive Producer |
| Production | Ian Pringle | Associate Producer |
| Production | Timothy White | Producer |
| Art | Oliver Streeton | Title Illustration |
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