A young widow still grieving over the death of her husband finds herself being comforted by a local housepainter.
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| Directing | David Anspaugh | Director |
| Production | Steve Wakefield | Unit Production Manager |
| Production | Karen de Montbrun | Production Accountant |
| Directing | Leslie Druker | Script Supervisor |
| Camera | Richard Craig Meinardus | First Assistant Camera |
| Directing | David Webb | First Assistant Director |
| Production | Beverly Sutton | Production Coordinator |
| Editing | Richmond Riedel | First Assistant Editor |
| Sound | Bruce Tanis | Sound Effects Editor |
| Sound | Joe Earle | Sound Effects Editor |
| Sound | Julie Feiner | Foley Editor |
| Sound | Brian Ruberg | Foley Mixer |
| Sound | Michael Minkler | Sound Re-Recording Mixer |
| Lighting | Vince Gordon | Electrician |
| Sound | Gary Lewis | Dialogue Editor |
| Sound | Darrell Hanzalik | Supervising ADR Editor |
| Sound | Trevor Jolly | Foley Supervisor |
| Production | Donna Dupere | Extras Casting |
| Editing | Bob Kaiser | Color Timer |
| Sound | Ann Hadsell | ADR Recordist |
| Art | Henry Ilola | Construction Coordinator |
| Sound | Bruce Carwardine | Sound Mixer |
| Sound | Holly Huckins | ADR Editor |
| Sound | Bob Beemer | Sound Re-Recording Mixer |
| Costume & Make-Up | Brenda Gilles | Costume Supervisor |
| Sound | Ralph Osborn | Dialogue Editor |
| Sound | Dean Drabin | ADR Mixer |
| Sound | Adam Jenkins | Sound Re-Recording Mixer |
| Lighting | Kevin Alanthwaite | Gaffer |
| Camera | Samuel Turturici | Grip |
| Sound | Peter Melnychuk | Boom Operator |
| Directing | Tom Quinn | Second Assistant Director |
| Crew | Michael Kavanagh | Special Effects Coordinator |
| Sound | Robb Wilson | Assistant Sound Editor |
| Sound | Chris Jenkins | Sound Re-Recording Mixer |
| Lighting | Tony Eldridge | Electrician |
| Sound | Joan Chamberlain | Foley Recordist |
| Lighting | Gordon Eldridge | Best Boy Electric |
| Camera | Shane Harvey | Still Photographer |
| Camera | Mike Kirilenko | Key Grip |
| Crew | Joe Everett | Unit Publicist |
| Camera | Ron Renzetti | Dolly Grip |
| Editing | Theresa Repola Mohammed | Negative Cutter |
| Crew | David Kinnersly | Craft Service |
| Sound | Tom Kramer | Music Editor |
| Sound | Scott A. Hecker | Supervising Sound Editor |
| Writing | Ellen Simon | Screenplay |
| Writing | Ellen Simon | Theatre Play |
| Camera | Kenneth J. Withers | Camera Operator |
| Production | Mary McLaglen | Co-Producer |
| Art | David B. Ferguson | Art Direction |
| Costume & Make-Up | Bob Pritchett | Key Hair Stylist |
| Art | Carol Lavoie | Set Decoration |
| Production | Cathy Sandrich Gelfond | Casting |
| Costume & Make-Up | Patricia Green | Makeup Artist |
| Costume & Make-Up | Julia L. Walker | Hairstylist |
| Production | Tim Bevan | Producer |
| Production | Liza Chasin | Associate Producer |
| Production | Alison Owen | Producer |
| Costume & Make-Up | Cydney Cornell | Hairstylist |
| Sound | Howard Shore | Original Music Composer |
| Art | Robb Wilson King | Production Design |
| Production | Amanda Mackey | Casting |
| Camera | Julio Macat | Director of Photography |
| Editing | David Rosenbloom | Editor |
| Costume & Make-Up | Denise Cronenberg | Costume Design |
| Costume & Make-Up | Deborah La Mia Denaver | Makeup Artist |
| Production | Eric Fellner | Producer |
| Costume & Make-Up | Ron Berkeley | Makeup Artist |
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