A strange film as beautifully jumbled as the political environment out of which it sprang, like a handsome weed, "Son of Mongolia" is a travelogue of unique and authentic richness, an amusing Far Eastern horse opera of picaresque character, and a scientifically valuable anthropological document in which the Soviet film industry may well take pride. Objective and modern, yet permeated with a fresh folk quality that goes back to the reckless and lovely Tartary of Genghis Khan, it rises above all its inescapable Soviet-isms into a new frontier region of plains, mountains, tents and herds, a world still appreciably beyond the range of Western cameras.
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| Art | Igor Vuskovich | Art Direction |
| Writing | Lev Slavin | Screenplay |
| Writing | Boris Lapin | Screenplay |
| Writing | Zakhar Khatsrevin | Screenplay |
| Sound | Nikolay Rabinovich | Music |
| Directing | Ilya Trauberg | Director |
| Sound | Eduard Grikurov | Music |
| Camera | Mykhailo Kaplan | Director of Photography |
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