Somewhere in Europe, mid-20th century. Albert is employed to look after Mia, a girl with teeth of ice. Mia never leaves their apartment, where the shutters are always closed. The telephone rings regularly and the Master enquires after Mia's wellbeing. Until the day Albert is instructed that he must prepare the child to leave.
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| Visual Effects | Denis Bedlow | VFX Editor |
| Sound | Benoît Biral | Sound Re-Recording Mixer |
| Sound | Ken Yasumoto | Sound Designer |
| Costume & Make-Up | Anne Moralis | Makeup Designer |
| Writing | Geoff Cox | Screenplay |
| Writing | Lucile Hadžihalilović | Screenplay |
| Camera | Jonathan Ricquebourg | Director of Photography |
| Editing | Adam Finch | Editor |
| Art | Jeanne Fonsny | Set Decoration |
| Costume & Make-Up | Jackye Fauconnier | Costume Design |
| Production | Amélie Jacquis | Producer |
| Art | Julien Dubourg | Art Direction |
| Production | Christophe Hollebeke | Executive Producer |
| Art | Julia Irribarria | Production Design |
| Art | Julia Irribarria | Art Direction |
| Production | Sebastiàn Moradiellos | Casting |
| Production | Cassandre Warnauts | Co-Producer |
| Sound | Nicolas Becker | Original Music Composer |
| Sound | Augustin Viard | Original Music Composer |
| Costume & Make-Up | Lionel Le | Special Effects Makeup Artist |
| Sound | Warren Ellis | Original Music Composer |
| Production | Anne-Laure Declerck | Production Assistant |
| Costume & Make-Up | Mathilde Wallez | Makeup Artist |
| Sound | Matt Coster | ADR Recordist |
| Sound | Jo Masset | ADR Supervisor |
| Visual Effects | Murray Barber | Visual Effects Supervisor |
| Visual Effects | Henning Glabbart | Digital Compositor |
| Art | Julien Dubourg | Assistant Art Director |
| Visual Effects | Robin Stuart Cape | Compositing Supervisor |
| Visual Effects | Sam Lucas | Modelling Supervisor |
| Costume & Make-Up | Robert Smedt | Key Hair Stylist |
| Visual Effects | MJ Cunha | Rotoscoping Artist |
| Visual Effects | Amy Felce | Matchmove Supervisor |
| Directing | Charlène Sales | Second Assistant Director |
| Sound | Laurence Morel | Boom Operator |
| Costume & Make-Up | Roz Gomersall | Prosthetic Supervisor |
| Directing | Celine Jacqmin | Additional Second Assistant Director |
| Art | Théodore Brisset | Props |
| Sound | Olivier Thys | Foley Artist |
| Production | Jean-Yves Roubin | Co-Producer |
| Production | Serge Catoire | Production Manager |
| Production | Nanw Rowlands | Casting |
| Art | Laurent Gooris | Construction Manager |
| Directing | Adèle Edwards | Third Assistant Director |
| Sound | Bruno Schweisguth | Sound Mixer |
| Directing | Maéva Buisse | First Assistant Director |
| Crew | Olivier Bisback | Stunt Coordinator |
| Art | Emilie Nelis-Culot | Decorator |
| Art | Louise Toby | Assistant Property Master |
| Visual Effects | Murray Barber | Special Effects Supervisor |
| Visual Effects | Sefian Benssalem | Special Effects Supervisor |
| Art | Amandine Grafé | Graphic Designer |
| Crew | Barbara Hellemans | Stunt Double |
| Costume & Make-Up | Dan Martin | Prosthetic Designer |
| Crew | Gaspar Noé | Thanks |
| Production | Andrew Starke | Producer |
| Production | Jean des Forêts | Producer |
| Directing | Lucile Hadžihalilović | Director |
| Writing | Brian Catling | Novel |
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