Tucson, Arizona, September 1996. At the request of his son Martin, George Goldsmith tells him of his past in Nazi Germany as a member of a family of Jewish musicians and the strange history of the Jüdischer Kulturbund, a Jewish organization sponsored by Reichsminister Joseph Goebbels.
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| Directing | Anders Østergaard | Director |
| Directing | Erzsébet Rácz | Co-Director |
| Camera | Henner Besuch | Director of Photography |
| Camera | Lars Skree | Director of Photography |
| Art | Marc-Oliver Lau | Art Direction |
| Editing | Anders Villadsen | Editor |
| Costume & Make-Up | Valentina Schez | Hairstylist |
| Lighting | Denis Bünso | Gaffer |
| Sound | Dominik Schleier | Sound Director |
| Art | Darren Clark | Art Direction |
| Visual Effects | Jakob Wehrmann | Visual Effects |
| Art | Danny Perkins | Set Designer |
| Camera | Ágnes Pákózdi | Additional Photography |
| Lighting | Jonas Hörning | Gaffer |
| Writing | Martin Goldsmith | Screenplay |
| Art | Ryan Lawrence | Production Design |
| Production | Justin Kreinbrink | Line Producer |
| Art | Daniel Koenig | Property Master |
| Camera | Mitja Falk | Additional Photography |
| Writing | Anders Østergaard | Screenplay |
| Camera | Aaron Johnson Araza | Key Grip |
| Costume & Make-Up | Gudrun Leyendecker | Costumer |
| Lighting | Emily Belleranti | Gaffer |
| Sound | Martin Steyer | Sound Mixer |
| Costume & Make-Up | Darren Clark | Costume Designer |
| Production | Tim Flood | Location Manager |
| Writing | Tamás Pálmai | Storyboard |
| Camera | Morten Kildegaard | Key Grip |
| Camera | Christoffer Schulz | Key Grip |
| Production | Lenny Mesi | Line Producer |
| Visual Effects | Alastair Owen | Visual Effects |
| Camera | Greg Harris | Key Grip |
| Costume & Make-Up | Margarita Potts | Hairstylist |
| Costume & Make-Up | Margarita Potts | Makeup Artist |
| Writing | Martin Goldsmith | Book |
| Production | Chloe Loos | Researcher |
| Production | Evan Ingold | Production Assistant |
| Costume & Make-Up | Valentina Schez | Makeup Artist |
| Crew | Roland Tropp | Special Effects |
| Visual Effects | Florian Obrecht | Visual Effects Supervisor |
| Production | Thomas Kufus | Producer |
| Visual Effects | Roland Tropp | Pyrotechnic Supervisor |
| Costume & Make-Up | Sandra Leutert | Hairstylist |
| Production | Mette Heide | Producer |
| Visual Effects | Dávid Kovács | Visual Effects |
| Production | Tassilo Aschauer | Line Producer |
| Costume & Make-Up | Sandra Leutert | Makeup Artist |
| Production | Philipp Eichhorn | Production Manager |
| Editing | Monika Preischl | Archival Footage Research |
| Production | Luna Jansen | Production Manager |
| Production | Andreas Schellenberg | Post Production Coordinator |
| Sound | Martin Langenbach | Foley Artist |
| Visual Effects | Katrin Naglitsch | Visual Effects |
| Visual Effects | Daniel Bäß | Animation Director |
| Visual Effects | Mózes Kovács | Visual Effects |
| Sound | Lorenz Fischer | Sound Recordist |
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