Thomas Clark, a screenwriter known for his B-movies, struggles to remain relevant while fighting to get his name off of the Hollywood Blacklist.
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| Production | Brook Bobbitt | Producer |
| Production | Jason Knarr | Producer |
| Sound | Robert Hill-Guarino | Sound Mixer |
| Crew | Samuel Wright Smith | Cinematography |
| Costume & Make-Up | Abigail Smith | Costume Design |
| Directing | Seth Friedman | Director |
| Production | Sherri Jaffe Friedman | Executive Producer |
| Production | Tedd Friedman | Executive Producer |
| Production | Trey Tatum | Producer |
| Art | George Long | Production Design |
| Production | Bretton Miller | Production Assistant |
| Camera | Samuel Wright Smith | Director of Photography |
| Camera | George Long | Best Boy Grip |
| Camera | Sam Sauer | First Assistant Camera |
| Writing | Seth Friedman | Writer |
| Production | Stephanie Park | Producer |
| Camera | Stone Taul | Key Grip |
| Production | Joey Fields | Production Assistant |
| Camera | Cooper Wood | Second Assistant Camera |
| Crew | Danny Feldheim | Thanks |
| Crew | John B. Crye | Thanks |
| Crew | Jane Friedman | Thanks |
| Camera | Brook Bobbitt | Still Photographer |
| Production | Zach Jacobs | Production Assistant |
| Crew | Matthew Modine | Thanks |
| Crew | Eddie Rubin | Thanks |
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