In Korea, on 6 September 1950, Lieutenant Benson's platoon finds itself isolated in enemy-held territory after a retreat. Soon they are joined by Sergeant Montana, whose overriding concern is caring for his catatonic colonel. Benson and Montana can't stand each other, but together they must get the survivors to Hill 465, where they hope the division is waiting. It's a long, harrowing march, fraught with all the dangers the elusive enemy can summon.
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| Writing | Van Van Praag | Novel |
| Directing | Anthony Mann | Director |
| Writing | Philip Yordan | Screenplay |
| Writing | Ben Maddow | Screenplay |
| Editing | Richard C. Meyer | Editor |
| Camera | Ernest Haller | Director of Photography |
| Art | Frank Paul Sylos | Art Direction |
| Production | Irving Lerner | Production Supervisor |
| Costume & Make-Up | Layne Britton | Makeup Artist |
| Directing | Leon Chooluck | Assistant Director |
| Sound | Elmer Bernstein | Original Music Composer |
| Art | Lewis Jacobs | Production Design |
| Production | Sidney Harmon | Producer |
| Production | Anthony Mann | Producer |
| Crew | Sidney Harmon | Presenter |
| Costume & Make-Up | Norman Martien | Costumer |
| Directing | Michael Preece | Script Supervisor |
| Editing | Toni Roelofsma | Associate Editor |
| Visual Effects | Louis DeWitt | Visual Effects Camera |
| Sound | Jack Solomon | Sound |
| Sound | Henry Adams | Sound Effects Editor |
| Sound | Robert Tracy | Music Editor |
| Visual Effects | Jack Rabin | Visual Effects Camera |
| Crew | John Dickson | Technical Advisor |
| Crew | Lee Zavitz | Special Effects |
| Art | Elmer Stock | Property Master |
| Sound | Elmer Bernstein | Conductor |
| Crew | Jack Erickson | Special Effects |
| Production | Irving Lerner | Production Manager |
| Sound | Gil Grau | Orchestrator |
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