Based on the true events surrounding Frank Sinatra's tour of Australia. When Sinatra calls a local reporter a "two-bit hooker", every union in the country black-bans the star until he issues an apology.
Unfortunately the movie The Night We Called It a Day is not yet available on Netflix. Follow us on Facebook to see when The Night We Called It a Day becomes available on Netflix!
| Directing | Paul Goldman | Director |
| Directing | Hamish Roxburgh | Third Assistant Director |
| Directing | Phil Jones | First Assistant Director |
| Camera | Lisa Tomasetti | Still Photographer |
| Directing | Scott Lovelock | Second Second Assistant Director |
| Camera | Darrin Keough | "A" Camera Operator |
| Camera | David Knight | "B" Camera Operator |
| Directing | Clair Parker | Second Assistant Director |
| Directing | Eddie Thorne | Assistant Director |
| Camera | Leilani Hannah | Second Unit Director of Photography |
| Camera | Damian Church | Clapper Loader |
| Camera | David Griffiths | Assistant Grip |
| Directing | David Richardson | Second Unit Director |
| Camera | Roger Buckingham | Underwater Camera |
| Camera | Derry Field | Focus Puller |
| Camera | Robert Foster | Focus Puller |
| Camera | Danny Ruhlmann | Director of Photography |
| Costume & Make-Up | Emily Seresin | Costume Design |
| Costume & Make-Up | Deborah Lanser | Makeup Supervisor |
| Costume & Make-Up | Warren Hanneman | Hairstylist |
| Crew | Martin Bruveris | Scenic Artist |
| Costume & Make-Up | Simone Wajon | Makeup Artist |
| Art | Michael Iacono | Art Direction |
| Art | Tracy Dunn | Set Decoration |
| Costume & Make-Up | Wendy De Waal | Hair Supervisor |
| Costume & Make-Up | Adele Durno | Hairstylist |
| Sound | Howard Bargroff | Sound Re-Recording Mixer |
| Production | Simon Lucas | Unit Manager |
| Costume & Make-Up | Jason Gardner | Hairstylist |
| Production | Brad Roberts | Unit Manager |
| Sound | Terry Brown | Sound Effects Editor |
| Sound | David Turner | Sound Re-Recording Mixer |
| Art | Michael Philips | Production Design |
| Sound | Stewart Henderson | Dialogue Editor |
| Costume & Make-Up | Wendy Sainsbury | Prosthetic Makeup Artist |
| Art | Anthea Hodge | Art Department Coordinator |
| Sound | Guntis Sics | Sound Recordist |
| Visual Effects | Jason Bath | Visual Effects Producer |
| Editing | Sara-Jane van Gyen | First Assistant Editor |
| Sound | Matthew Skelding | Music Editor |
| Crew | Richard Boué | Stunt Coordinator |
| Production | Nikki Barrett | Casting |
| Costume & Make-Up | Nina Edwards | Costume Supervisor |
| Directing | Kristin Voumard | Script Supervisor |
| Visual Effects | Paul Butterworth | Visual Effects Supervisor |
| Production | Anousha Zarkesh | Casting |
| Production | Jonathan Shteinman | Executive Producer |
| Production | Sally Clarke | Production Coordinator |
| Sound | Simon Leadley | Music Editor |
| Production | Emma Hayter | Executive Producer |
| Production | Bill Allan | Executive Producer |
| Production | Barbara Gibbs | Line Producer |
| Writing | Mark Lazarus | Script Editor |
| Sound | Tim Ryan | Music Editor |
| Costume & Make-Up | Cappi Ireland | Costume Supervisor |
| Production | Gary Smith | Executive Producer |
| Sound | Guy Fletcher | Other |
| Writing | Michael Thomas | Writer |
| Production | Peter Clifton | Producer |
| Editing | Stephen Evans | Editor |
| Production | Nik Powell | Producer |
| Production | Emile Sherman | Producer |
| Writing | Peter Clifton | Writer |
| Sound | Rupert Gregson-Williams | Original Music Composer |
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