At a 1930s New Orleans bordello, Hallie is the main attraction for both clients and the shrewd madam. The arrival of Dove Linkhorn, her lovesick sweetheart from three years ago, disrupts the normal and triggers a chain of events involving a number of people, including the young woman he travelled with, who is now the Doll House's newest employee.
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| Directing | Edward Dmytryk | Director |
| Sound | Elmer Bernstein | Original Music Composer |
| Writing | Nelson Algren | Novel |
| Writing | John Fante | Screenplay |
| Writing | Edmund Morris | Screenplay |
| Editing | Harry Gerstad | Editor |
| Art | Richard Sylbert | Production Design |
| Art | William Kiernan | Set Decoration |
| Costume & Make-Up | Charles LeMaire | Costume Design |
| Camera | Joseph MacDonald | Director of Photography |
| Sound | Brook Benton | Vocals |
| Production | Joseph Lebworth | Associate Producer |
| Writing | Raphael Hayes | Writer |
| Writing | Ben Hecht | Writer |
| Directing | Blake Edwards | Co-Director |
| Camera | Albert Bettcher | First Assistant Camera |
| Camera | Emil Oster | Camera Operator |
| Production | Stocker Fontelieu | Casting Assistant |
| Sound | Elmer Bernstein | Conductor |
| Crew | Charles K. Feldman | Presenter |
| Sound | Mack David | Songs |
| Sound | Elmer Bernstein | Songs |
| Costume & Make-Up | Ben Lane | Makeup Supervisor |
| Directing | Floyd Joyer | Assistant Director |
| Sound | Charles J. Rice | Sound Supervisor |
| Sound | George Cooper | Sound |
| Art | Saul Bass | Title Designer |
| Sound | Leo Shuken | Orchestrator |
| Sound | Jack Hayes | Orchestrator |
| Production | Charles K. Feldman | Producer |
| Camera | Larry Shaw | Still Photographer |
| Sound | James Nelson | Supervising Sound Editor |
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