Officer Alex Kearney patrols an upscale neighborhood in Philadelphia, where he pulls over a well-connected white collar executive who promises to get even with the policeman. Soon, Kearney learns that he is off the cushy suburban beat and must now work in the deadliest precinct in Philly, where he is partnered with tough veteran cop Dennis Curran. Tensions are high between them, but Kearney soon proves he can play just as rough as the crooks.
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| Writing | Nat Mauldin | Writer |
| Directing | Richard Benjamin | Director |
| Production | Charles H. Maguire | Producer |
| Production | Gale Anne Hurd | Executive Producer |
| Sound | Alan Silvestri | Original Music Composer |
| Crew | Troy Brown | Stunts |
| Camera | Richard H. Kline | Director of Photography |
| Crew | Henry Kingi | Stunts |
| Directing | Terry Leonard | Second Unit Director |
| Crew | Andy Gill | Stunts |
| Editing | Jacqueline Cambas | Editor |
| Editing | Brian L. Chambers | Editor |
| Production | Nat Mauldin | Associate Producer |
| Production | Reuben Cannon | Casting |
| Costume & Make-Up | Daniel Paredes | Costume Design |
| Art | Charles Rosen | Production Design |
| Production | Jack Roe | Associate Producer |
| Production | Jack Roe | Unit Production Manager |
| Directing | Stephen J. Fisher | First Assistant Director |
| Directing | George Fortmuller | Second Assistant Director |
| Production | Robert J. Ulrich | Casting Associate |
| Art | Gregory Pickrell | Art Direction |
| Art | Donald J. Remacle | Set Decoration |
| Art | Ron Yates | Set Designer |
| Art | Carole Lee Cole | Set Designer |
| Art | Larry Haney | Leadman |
| Directing | Jeffrey W. Stacey | Second Second Assistant Director |
| Camera | Albert Bettcher | Camera Operator |
| Camera | Christian La Fountaine | First Assistant Camera |
| Camera | George La Fountaine Jr. | Second Assistant Camera |
| Camera | Len Hekel | Still Photographer |
| Editing | William Fletcher | Assistant Editor |
| Sound | Jerry Jost | Sound Mixer |
| Sound | Dennis Jones | Boom Operator |
| Art | Barry Bedig | Property Master |
| Directing | Marshall Schlom | Script Supervisor |
| Directing | Gabrielle James | Script Supervisor |
| Lighting | Gary R. Wostak | Gaffer |
| Lighting | David Morton | Best Boy Electric |
| Lighting | Paul Ary | Best Boy Electric |
| Camera | Alex Barraza | Key Grip |
| Camera | George Randell | Best Boy Grip |
| Camera | John Hennessey | Dolly Grip |
| Costume & Make-Up | Robert Norin | Makeup Artist |
| Costume & Make-Up | Ora Green | Hairstylist |
| Production | Richard Davis Jr. | Location Manager |
| Crew | Phil Cory | Special Effects Coordinator |
| Crew | Terry Leonard | Stunt Coordinator |
| Sound | Mike Dobie | Supervising Sound Editor |
| Sound | Jeff Bushelman | Supervising Sound Editor |
| Sound | Larry Singer | Supervising ADR Editor |
| Sound | Mary Andrews | ADR Editor |
| Sound | Ralph Sall | Music Supervisor |
| Sound | Kenneth Karman | Music Editor |
| Sound | Richard Portman | Sound Re-Recording Mixer |
| Sound | Edward F. Suski | Sound Re-Recording Mixer |
| Sound | Steve Pederson | Sound Re-Recording Mixer |
| Sound | Dennis Hill | Sound Recordist |
| Directing | Conrad Irving | Second Unit First Assistant Director |
| Camera | Robert C. Thomas | Second Unit Director of Photography |
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