A hack screenwriter writes a screenplay for a former silent film star who has faded into Hollywood obscurity.
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Directing | Billy Wilder | Director |
Art | John Meehan | Art Direction |
Editing | Arthur P. Schmidt | Editor |
Camera | John F. Seitz | Director of Photography |
Art | Ray Moyer | Set Decoration |
Production | Hugh Brown | Production Manager |
Production | Charles Brackett | Producer |
Art | Sam Comer | Set Decoration |
Writing | Charles Brackett | Screenplay |
Writing | D.M. Marshman Jr. | Screenplay |
Costume & Make-Up | Edith Head | Costume Design |
Writing | Billy Wilder | Screenplay |
Art | Hans Dreier | Art Direction |
Sound | Franz Waxman | Original Music Composer |
Costume & Make-Up | Nellie Manley | Hairstylist |
Costume & Make-Up | Karl Silvera | Makeup Artist |
Sound | George Parrish | Orchestrator |
Sound | Sidney Cutner | Orchestrator |
Art | Gene Lauritzen | Construction Coordinator |
Sound | Leonid Raab | Orchestrator |
Visual Effects | Farciot Edouart | Visual Effects |
Editing | Frank Bracht | Assistant Editor |
Camera | Otto Pierce | Camera Operator |
Sound | Leo Shuken | Orchestrator |
Directing | Charles C. Coleman | Assistant Director |
Sound | Harry Lindgren | Sound Recordist |
Sound | John Cope | Sound Recordist |
Art | Jack Colconda | Assistant Property Master |
Art | Steve Beers | Head Carpenter |
Costume & Make-Up | Hazel Hegarty | Wardrobe Master |
Camera | Fred True | Grip |
Crew | Norris Stensland | Technical Advisor |
Camera | Glen E. Richardson | Still Photographer |
Art | Tom Plews | Props |
Costume & Make-Up | Vera Tomei | Hairstylist |
Directing | Gerd Oswald | Second Assistant Director |
Lighting | Walter Tayler | Gaffer |
Crew | Ronnie Lubin | Dialogue Coach |
Costume & Make-Up | Frank Thayer | Makeup Artist |
Costume & Make-Up | Ed Fitzharris | Wardrobe Master |
Camera | Harlow Stengel | Assistant Camera |
Costume & Make-Up | Wally Westmore | Makeup Supervisor |
Visual Effects | Gordon Jennings | Visual Effects |
Editing | Doane Harrison | Supervising Editor |
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