Stevie, fresh from prison in Scotland, finds a job on a London construction site. The working conditions are poor and most of the men are working under aliases, due to immigration status and to not conflict with their "signing on" for unemployment benefits. Some coworkers help Stevie secure housing, squatting in a council estate. Then Stevie meets Susan, from Ireland, who's struggling to be a professional singer.
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| Directing | Ken Loach | Director |
| Writing | Bill Jesse | Screenplay |
| Camera | Barry Ackroyd | Director of Photography |
| Sound | Stewart Copeland | Original Music Composer |
| Art | Martin Johnson | Production Design |
| Sound | Bob Withey | Sound Recordist |
| Costume & Make-Up | Wendy Knowles | Costume Design |
| Editing | Jonathan Morris | Editor |
| Camera | Paul Chedlow | Still Photographer |
| Production | Sally Hibbin | Producer |
| Directing | Valerie Croft | Continuity |
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