Reporter Charles Wills, in Paris to cover the end of World War II, falls for the beautiful Helen Ellswirth following a brief flirtation with her sister, Marion. After he and Helen marry, Charles pursues his novelistic ambition while supporting his new bride with a deadening job at a newspaper wire service. But when an old investment suddenly makes the family wealthy, their marriage begins to unravel — until a sudden tragedy changes everything.
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| Writing | Philip G. Epstein | Screenplay |
| Directing | Richard Brooks | Director |
| Writing | Julius J. Epstein | Screenplay |
| Writing | Richard Brooks | Screenplay |
| Art | Jack D. Moore | Set Decoration |
| Camera | Joseph Ruttenberg | Director of Photography |
| Art | Edwin B. Willis | Set Decoration |
| Art | Cedric Gibbons | Art Direction |
| Art | Randall Duell | Art Direction |
| Sound | Conrad Salinger | Original Music Composer |
| Costume & Make-Up | John Truwe | Makeup Artist |
| Production | Jack Cummings | Producer |
| Editing | John D. Dunning | Editor |
| Art | Mentor Huebner | Production Illustrator |
| Sound | Wesley C. Miller | Recording Supervision |
| Costume & Make-Up | Sydney Guilaroff | Hairstylist |
| Sound | Finn Ulback | Sound Editor |
| Costume & Make-Up | William Tuttle | Makeup Designer |
| Directing | William Shanks | Assistant Director |
| Sound | Alexander Kelly Jr. | Sound Editor |
| Costume & Make-Up | Helen Rose | Costume Design |
| Production | William Kaplan | Unit Manager |
| Sound | Conrad Kahn | Sound |
| Camera | Freddie Young | Camera Operator |
| Sound | Saul Chaplin | Music Supervisor |
| Crew | A. Arnold Gillespie | Special Effects |
| Writing | F. Scott Fitzgerald | Short Story |
| Sound | Kendrick Kinney | Sound Editor |
| Sound | Jerome Kern | Songs |
| Writing | Oscar Hammerstein II | Lyricist |
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