A mature and visually elegant period romance that remains one of the earliest and most compassionate overtly gay-themed films in movie history. Based upon Herman Bang's 1902 novel, Dreyer's Michael refashions the classical Greek myth of Jupiter and Ganymede into a love triangle between an aging artist, Zoret, his protagonist Michael, and Princess Zamikoff, an aristocratic femme fatale as entranced by Michael’s youthful beauty as Zoret is.
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| Writing | Thea von Harbou | Adaptation |
| Writing | Herman Bang | Novel |
| Writing | Carl Theodor Dreyer | Screenplay |
| Directing | Carl Theodor Dreyer | Director |
| Writing | Carl Theodor Dreyer | Adaptation |
| Writing | Thea von Harbou | Screenplay |
| Art | Hugo Häring | Art Direction |
| Camera | Karl Freund | Director of Photography |
| Sound | Hans Joseph Vieth | Music |
| Production | Erich Pommer | Producer |
| Camera | Rudolph Maté | Director of Photography |
| Costume & Make-Up | Hugo Häring | Costume Design |
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