Frank Corvin, ‘Hawk’ Hawkins, Jerry O'Neill and ‘Tank’ Sullivan were hotdog members of Project Daedalus, the Air Force's test program for space travel, but their hopes were dashed in 1958 with the formation of NASA and the use of trained chimps. They blackmail their way into orbit when Russia's mysterious ‘Ikon’ communications satellite's orbit begins to degrade and threatens to crash to Earth.
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| Directing | Clint Eastwood | Director |
| Production | Phyllis Huffman | Casting |
| Editing | Joel Cox | Editor |
| Writing | Howard Klausner | Screenplay |
| Camera | Jack N. Green | Director of Photography |
| Production | Andrew Lazar | Producer |
| Sound | Lennie Niehaus | Original Music Composer |
| Production | Clint Eastwood | Producer |
| Writing | Ken Kaufman | Screenplay |
| Camera | Ken Regan | Still Photographer |
| Costume & Make-Up | Deborah Hopper | Costume Design |
| Art | Jack G. Taylor Jr. | Art Direction |
| Art | Henry Bumstead | Production Design |
| Sound | Michael Semanick | Sound Re-Recording Mixer |
| Production | Daniel R. Chavez | Executive In Charge Of Production |
| Sound | Christopher Boyes | Sound Designer |
| Sound | Flash Deros | Boom Operator |
| Sound | Christopher Boyes | Sound Re-Recording Mixer |
| Directing | Mable Lawson-McCrary | Script Supervisor |
| Sound | Alan Robert Murray | Supervising Sound Editor |
| Production | Patricia Churchill | Unit Production Manager |
| Sound | Walt Martin | Production Sound Mixer |
| Sound | Bub Asman | Supervising Sound Editor |
| Art | Richard C. Goddard | Set Decoration |
| Directing | Robert Lorenz | First Assistant Director |
| Art | Michael Sexton | Property Master |
| Sound | Bob Beher | Foley Editor |
| Sound | Ken Fischer | Sound Effects Editor |
| Visual Effects | Nelson Cabrera | Visual Effects Coordinator |
| Crew | Lars Jensvold | Visual Effects Editor |
| Sound | Glenn Hoskinson | Sound Effects Editor |
| Lighting | Bud Heller | Rigging Grip |
| Costume & Make-Up | Janice Alexander | Key Hair Stylist |
| Art | Steven M. Saylor | Set Designer |
| Sound | Michael Dressel | Foley Editor |
| Lighting | Tom Stern | Chief Lighting Technician |
| Art | Bruce West | Set Designer |
| Sound | Denise Horta | ADR Editor |
| Sound | Donald Harris | Music Editor |
| Costume & Make-Up | Allan A. Apone | Makeup Artist |
| Sound | Phil Benson | Sound Effects Editor |
| Sound | Juno J. Ellis | Supervising ADR Editor |
| Sound | David Farmer | Sound Designer |
| Sound | Ken Fischer | Sound Editor |
| Crew | Nicolas Anastassiou | Visual Effects Editor |
| Costume & Make-Up | Carol A. O'Connell | Hair Department Head |
| Art | Clarence Lynn Price | Construction Coordinator |
| Sound | Gary Krivacek | Sound Effects Editor |
| Camera | Stephen S. Campanelli | Steadicam Operator |
| Costume & Make-Up | Francisco X. Pérez | Key Makeup Artist |
| Crew | Tony Chavez | Propmaker |
| Art | Joseph G. Pacelli Jr. | Set Designer |
| Visual Effects | Dana Friedman | Visual Effects Producer |
| Crew | Buddy Van Horn | Stunt Coordinator |
| Editing | Don Roth | Assistant Editor |
| Production | Kokayi Ampah | Location Manager |
| Visual Effects | John Frazier | Special Effects Supervisor |
| Costume & Make-Up | Tania McComas | Key Makeup Artist |
| Sound | Teresa Eckton | Sound Effects Editor |
| Sound | Howard Neiman | Sound Effects Editor |
| Camera | Stephen S. Campanelli | Camera Operator |
| Directing | Tom Rooker | Assistant Director |
| Lighting | John Lacy | Rigging Gaffer |
| Costume & Make-Up | Lynda Foote | Key Costumer |
| Art | Bobby Joe Garren | Greensman |
| Visual Effects | Judith Weaver | Visual Effects Producer |
| Art | Gary Metzen | Painter |
| Sound | Jason King | Sound Editor |
| Visual Effects | Lisa Todd | Visual Effects Coordinator |
| Camera | Pete Romano | Underwater Director of Photography |
| Camera | Charles W. Wayt | Dolly Grip |
| Production | Carla Aucoin | Production Coordinator |
| Sound | Scott Guitteau | Sound Effects Editor |
| Sound | Stephen Janisz | ADR Editor |
| Visual Effects | Michael Owens | Visual Effects Supervisor |
| Sound | Anthony Milch | Sound Effects Editor |
| Costume & Make-Up | Charlene Roberson | Makeup Artist |
| Crew | John Bartle | Visual Effects Editor |
| Visual Effects | Susan Greenhow | Visual Effects Coordinator |
| Camera | Charles Saldaña | Key Grip |
| Sound | Kimberly Lowe Voigt | Dialogue Editor |
| Sound | Mildred Iatrou | Dialogue Editor |
| Sound | Lucy Coldsnow-Smith | Supervising Dialogue Editor |
| Sound | Gloria D'Alessandro | Dialogue Editor |
| Sound | Gloria D'Alessandro | Supervising ADR Editor |
| Production | Liz Keigley | Casting |
| Editing | Doug Jones | Negative Cutter |
| Production | Sari E. Keigley | Casting |
| Costume & Make-Up | Darryl M. Athons | Set Costumer |
| Editing | Tim Safarik | Colorist |
| Production | Olivia Harris | Casting Associate |
| Costume & Make-Up | Steve Ellsworth | Set Costumer |
| Costume & Make-Up | Ann Culotta | Set Costumer |
| Production | Janet Farris | Casting Assistant |
| Editing | Gary D. Roach | Assistant Editor |
| Editing | Bob Kaiser | Color Timer |
| Editing | Mo Henry | Negative Cutter |
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