Glyndebourne's Saul stole the summer and had critics raving. The Guardian (****) applauded virtuoso stagecraft from director Barrie Kosky in his debut production there, calling the show a theatrical and musical feast of energetic choruses, surreal choreography and gorgeous singing. For The Independent, which ranked it amongst five top classical and opera performances of 2015, there was no praise too high for the cast. The Orchestra of the Age of Enlightenment under Ivor Bolton sparkles from the pit with period panache, and designer Katrin Lea Tag's exuberant costumes (The Times ****) set the Old Testament story in Handel's time, with a witty twinge of the contemporary.
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Directing | Barrie Kosky | Director |
Crew | Otto Pichler | Choreographer |
Art | Katrin Lea Tag | Production Design |
Sound | Ivor Bolton | Conductor |
Writing | Charles Jennens | Lyricist |
Lighting | Joachim Klein | Lighting Design |
Sound | Georg Friedrich Händel | Music |
Directing | François Roussillon | Director |
Production | George Bruell | Producer |
Production | Romain Gendrot | Production Manager |
Production | Sandra Walger | Production Manager |
Sound | Mireille Faure | Music Producer |
Camera | Lionel Martin | Director of Photography |
Sound | Jean Chatauret | Sound Supervisor |
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