New York, Christmas Eve, 1999 - at the dawn of the new millennium - a subway construction crew unearths an eight hundred year old Celtic skeleton and a mysterious key. Archeologist Karen Goodleaf is called in to determine the meaning of the discovery. News of the discovery reaches a Middle East monastery where the warrior monks knowns as the Knights Templar - an ancient sect entrusted with protecting holy relics - choose their best pupil, Lukas to face the diabolical threat. As Lukas races to New York, an evil Minion seizes Karen and uses her body like a parasite and host!
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| Directing | Jean-Marc Piché | Director |
| Sound | Jean Corriveau | Original Music Composer |
| Writing | Matt Roe | Screenplay |
| Art | Violette Daneau | Production Design |
| Writing | Ripley Highsmith | Screenplay |
| Editing | Yvann Thibaudeau | Editor |
| Costume & Make-Up | Janet Campbell | Costume Design |
| Production | Andrea Kenyon | Casting |
| Camera | Barry Parrell | Director of Photography |
| Writing | Matt Roe | Story |
| Crew | Hilary Porter | Stunts |
| Crew | Pierre Sigouin | Stunt Double |
| Crew | Stéphane Lefebvre | Stunts |
| Crew | Jean Frenette | Stunt Coordinator |
| Crew | Carole B. Thomas | Stunt Double |
| Crew | Michael Scherer | Stunts |
| Crew | David McKeown | Stunts |
| Directing | Harold Trépanier | First Assistant Director |
| Crew | Scott Leva | Stunts |
| Crew | Marc Désourdy | Stunts |
| Crew | Luke LaFontaine | Fight Choreographer |
| Crew | Jason Cavalier | Stunts |
| Crew | Johnny Goar | Stunts |
| Crew | Nathalie Girard | Stunts |
| Production | Claudio Castravelli | Producer |
| Art | Daniel Breton | Set Decoration |
| Art | Martine Morneau | Set Decoration |
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