Over the summer of 1976, thirty-six bombs detonate in the heart of Cleveland while a turf war raged between Irish mobster Danny Greene and the Italian mafia. Based on a true story, Kill the Irishman chronicles Greene's heroic rise from a tough Cleveland neighborhood to become an enforcer in the local mob.
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| Production | Tommy Reid | Producer |
| Art | Patrizia von Brandenstein | Production Design |
| Production | Bart Rosenblatt | Producer |
| Production | Eugene Musso | Producer |
| Production | Jonathan Dana | Executive Producer |
| Writing | Jeremy Walters | Screenplay |
| Production | Arthur M. Sarkissian | Executive Producer |
| Camera | Karl Walter Lindenlaub | Director of Photography |
| Production | Al Corley | Producer |
| Visual Effects | Chris Ervin | Visual Effects Supervisor |
| Production | Michael D. Jones | Production Supervisor |
| Directing | Jonathan Hensleigh | Director |
| Editing | Douglas Crise | Editor |
| Writing | Jonathan Hensleigh | Screenplay |
| Production | Tara Reid | Executive Producer |
| Production | Rick Porrello | Executive Producer |
| Costume & Make-Up | Melissa Bruning | Costume Design |
| Production | Mary Vernieu | Casting |
| Production | Juan Carlos Cantu | Casting |
| Crew | Cassandra McCormick | Stunt Double |
| Directing | Phil Robinson | Second Assistant Director |
| Production | Bart Rosenblatt | Unit Production Manager |
| Directing | Dug Rotstein | Script Supervisor |
| Camera | Kim C. Simms | Still Photographer |
| Sound | Patrick Cassidy | Original Music Composer |
| Art | Joan MacFarlane | Set Decoration |
| Sound | John Bissell | Music Supervisor |
| Art | Gary Baugh | Art Direction |
| Writing | Rick Porrello | Book |
| Sound | Beau Williams | Production Sound Mixer |
| Crew | Steve Hart | Stunts |
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