Aibileen Clark is a middle-aged African-American maid who has spent her life raising white children and has recently lost her only son; Minny Jackson is an African-American maid who has often offended her employers despite her family's struggles with money and her desperate need for jobs; and Eugenia "Skeeter" Phelan is a young white woman who has recently moved back home after graduating college to find out her childhood maid has mysteriously disappeared. These three stories intertwine to explain how life in Jackson, Mississippi revolves around "the help"; yet they are always kept at a certain distance because of racial lines.
Unfortunately the movie The Help is not yet available on Netflix. Follow us on Facebook to see when The Help becomes available on Netflix!
| Directing | Tate Taylor | Director |
| Production | Chris Columbus | Producer |
| Camera | Stephen Goldblatt | Director of Photography |
| Writing | Tate Taylor | Screenplay |
| Production | Michael Barnathan | Producer |
| Production | Brunson Green | Producer |
| Writing | Kathryn Stockett | Novel |
| Editing | Jim Passon | Color Timer |
| Lighting | Shawn Torge | Electrician |
| Production | John Norris | Executive Producer |
| Art | Rena DeAngelo | Set Decoration |
| Sound | Thomas Newman | Original Music Composer |
| Sound | Willie D. Burton | Production Sound Mixer |
| Sound | Jennifer Hawks | Music Supervisor |
| Directing | Cate Hardman | Script Supervisor |
| Sound | Scott A. Jennings | Sound Effects Editor |
| Sound | Dennis Drummond | Supervising Sound Editor |
| Production | Nate Berkus | Executive Producer |
| Production | L. Dean Jones Jr. | Executive Producer |
| Production | Jeff Skoll | Executive Producer |
| Art | Mark Ricker | Production Design |
| Sound | Andrew Silver | Music Editor |
| Costume & Make-Up | Sharen Davis | Costume Design |
| Art | Curt Beech | Art Direction |
| Production | Kerry Barden | Casting |
| Production | Tate Taylor | Executive Producer |
| Camera | Dale Robinette | Still Photographer |
| Sound | David Giammarco | Sound Re-Recording Mixer |
| Production | Russell Allen | Production Coordinator |
| Costume & Make-Up | Brad Wilder | Makeup Department Head |
| Editing | Hughes Winborne | Editor |
| Crew | Rocky Capella | Stunt Coordinator |
| Camera | Will Arnot | Camera Operator |
| Camera | Will Arnot | Steadicam Operator |
| Production | Paul Schnee | Casting |
| Production | Jennifer Blum | Executive Producer |
| Production | Sonya Lunsford | Co-Producer |
| Costume & Make-Up | Dana Kay Hart | Costume Supervisor |
| Production | Mark Radcliffe | Executive Producer |
| Sound | Scott Millan | Sound Re-Recording Mixer |
| Production | Mohamed Khalaf Al-Mazrouei | Executive Producer |
| Sound | Bill Bernstein | Music Editor |
| Lighting | Erik Bernstein | Rigging Gaffer |
| Costume & Make-Up | Camille Friend | Hair Department Head |
| Crew | Brian McNulty | Post Production Supervisor |
| Costume & Make-Up | Mary Everett | Hairstylist |
| Crew | Jwaundace Candece | Stunts |
| Editing | Curtis Lindersmith | Digital Intermediate |
| Crew | Robert Bella | Post Production Supervisor |
| Crew | Mark Graziano | Post-Production Manager |
| Production | Robin Sweet | Unit Production Manager |
| Costume & Make-Up | Natasha Ladek | Wigmaker |
| Directing | Donald Sparks | Assistant Director |
| Art | Kendrick Hudson | Location Scout |
| Crew | Robin Lynn Bonaccorsi | Stunts |
| Costume & Make-Up | Gloria Belz | Makeup Artist |
| Lighting | Colin J. Campbell | Lighting Technician |
| Crew | Rex Reddick | Stunt Coordinator |
| Crew | Robert Cole | Special Effects |
| Camera | Khris Bennett | Grip |
| Directing | Karen Davis | Second Assistant Director |
| Sound | Brian Smith | ADR Mixer |
| Production | Adam Cole | Post Production Coordinator |
We have detected that you are using an ad blocker. In order to view this page please disable your ad blocker or whitelist this site from your ad blocker. Thanks!