After a hasty wedding, Carter and Toni find that they disagree on everything. They separate and seven years later, on the eve before their divorce, meet again and spend the night together. Reality sets in when morning comes and they begin arguing again. Once again, divorce proceedings are on — until Carter finds out that an important promotion hinges on whether he's married.
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Writing | Melvin Frank | Story |
Camera | Leo Tover | Director of Photography |
Directing | Melvin Frank | Director |
Sound | Leigh Harline | Original Music Composer |
Production | Norman Panama | Producer |
Writing | Michael Pertwee | Screenplay |
Production | Hal C. Kern | Associate Producer |
Editing | Gene Milford | Editor |
Writing | Norman Panama | Story |
Production | Melvin Frank | Producer |
Directing | Wendell Franklin | Assistant Director |
Sound | Waldon O. Watson | Sound |
Camera | Léo L. Fuchs | Still Photographer |
Art | Alexander Golitzen | Art Direction |
Directing | Paul Cameron | Assistant Director |
Art | Wayne Fitzgerald | Title Designer |
Costume & Make-Up | Bud Westmore | Makeup Artist |
Directing | Joseph E. Kenney | Assistant Director |
Art | John McCarthy Jr. | Set Decoration |
Crew | Lyle Moraine | Dialogue Coach |
Costume & Make-Up | Larry Germain | Hairstylist |
Crew | John Daheim | Stunts |
Sound | Joseph Gershenson | Music Supervisor |
Costume & Make-Up | Jean Louis | Costume Design |
Sound | Ethmer Roten | Musician |
Art | John P. Austin | Set Decoration |
Art | Joseph C. Wright | Art Direction |
Writing | Melvin Frank | Screenplay |
Production | Bob Larson | Unit Production Manager |
Sound | Corson Jowett | Sound |
Visual Effects | Jim Danforth | Modeling |
Crew | George Robotham | Stunts |
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