A hugely successful DA goes into private practice after sending a man to the chair -- only to find out later he was innocent. Now the drunken attorney only seems to represent criminals and low lifes.
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| Writing | W.R. Burnett | Screenplay |
| Writing | James R. Webb | Screenplay |
| Writing | Frank J. Collins | Story |
| Production | Frank P. Rosenberg | Producer |
| Sound | Max Steiner | Original Music Composer |
| Camera | J. Peverell Marley | Director of Photography |
| Editing | Thomas Reilly | Editor |
| Directing | Lewis Allen | Director |
| Art | William Wallace | Set Decoration |
| Costume & Make-Up | Henry Vilardo | Makeup Artist |
| Lighting | Richard L. Wilson | Gaffer |
| Art | Stanley Fleischer | Art Direction |
| Costume & Make-Up | Gordon Bau | Makeup Artist |
| Costume & Make-Up | Tillie Starriett | Hairstylist |
| Costume & Make-Up | Pat O'Grady | Makeup Artist |
| Directing | Philip Quinn | Assistant Director |
| Directing | C. Carter Gibson | Second Assistant Director |
| Art | Harry Goldman | Props |
| Sound | Stanley Jones | Sound |
| Camera | Eddie Leon Albert | Assistant Camera |
| Camera | Wesley Anderson | Camera Operator |
| Camera | Mac Julian | Still Photographer |
| Camera | Charles Harris | Grip |
| Lighting | Burt Jones | Best Boy Electric |
| Costume & Make-Up | Moss Mabry | Wardrobe Designer |
| Costume & Make-Up | Charles W. Mack | Wardrobe Master |
| Costume & Make-Up | Leon Roberts | Wardrobe Master |
| Costume & Make-Up | Marguerite Royce | Wardrobe Master |
| Editing | Lloyd Nosler | Assistant Editor |
| Sound | Murray Cutter | Orchestrator |
| Directing | Fred Applegate | Script Supervisor |
| Crew | Richard LaMarr | Stand In |
| Production | Jackson Parks | Publicist |
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