The days leading up to the completion of his most famous painting, A Sunday Afternoon on the Island of La Grande Jatte, Georges Seurat is struggling to make meaningful art and maintaining a relationship with his lover, Dot. Amid the scorn of the artistic community, Seurat's artistic ability thrives while his love diminishes. A century later, Seurat's descendant – named George and also an artist – finds himself burnt out and in search of what artistic path to follow, but he finds the answer to his future in the past.
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| Writing | Stephen Sondheim | Musical |
| Writing | James Lapine | Musical |
| Directing | Denis Caïozzi | Director |
| Production | Emma Enjalbert | Producer |
| Writing | Sylvie Durastanti | Adaptation |
| Lighting | Oliver Fenwick | Lighting Design |
| Directing | Lee Blakeley | Stage Director |
| Visual Effects | Matthew O'Neill | Animation |
| Sound | Michael Starobin | Orchestrator |
| Sound | Jean-Marc Palfray | Sound Recordist |
| Crew | William Dudley | Projection |
| Production | Séverine Brolles | Post Production Coordinator |
| Production | Antoine Perset | Executive Producer |
| Sound | Stéphane Oskeritzian | Sound Designer |
| Sound | Christian Lahondes | Sound Mixer |
| Editing | Patrick Faradji | Editor |
| Production | Guillaume Dunand | Production Director |
| Costume & Make-Up | Catherine Lhuerre | Makeup Artist |
| Sound | David Charles Abell | Music Director |
| Production | Denis Morlière | Executive Producer |
| Lighting | Guillaume Alonso | Lighting Director |
| Camera | Julien Jaunet | Director of Photography |
| Sound | Stephen Sondheim | Songs |
| Writing | Stephen Sondheim | Lyricist |
| Art | William Dudley | Set Designer |
| Costume & Make-Up | Adrian Linford | Costume Design |
| Sound | David Charles Abell | Conductor |
| Crew | Lorena Randi | Choreographer |
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