The film explores what transformations in power and politics do to art, how much opportunism can be found in “pure” art and whether fascist symbols can ever regain their aesthetic innocence. The questions it addresses about the relationship between ethics and aesthetics make a valuable contribution to any discussion about art and power.
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| Camera | Eberhard Geick | Camera Operator |
| Sound | J.U. Lensing | Music |
| Writing | Lutz Dammbeck | Writer |
| Editing | Margot Neubert-Marić | Editor |
| Camera | Thomas Plenert | Camera Operator |
| Directing | Lutz Dammbeck | Director |
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