The film revolves around the concept of soap opera. Its structure is based on the assumption that Chilean reality does not exist, but rather is an ensemble of soap operas.
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| Camera | Leo Kocking | Camera Operator |
| Art | Pía Rey | Property Master |
| Production | Raquel Salinas | Casting |
| Production | Galut Alarcón | Researcher |
| Directing | Carlos Millas | Continuity |
| Sound | Marco Aliaga | Foley Recordist |
| Production | Karin Unger | Production Manager |
| Camera | Leo Kocking | Director of Photography |
| Writing | Raúl Ruiz | Screenplay |
| Sound | Mauricio Molina | Sound Designer |
| Sound | Diego Gonzalez Cid | Foley Recordist |
| Sound | Alfonso Segura | Foley Artist |
| Camera | Héctor Ríos | Camera Operator |
| Sound | Ernesto Trujillo | Sound Assistant |
| Sound | Nadine Voullième | Sound Designer |
| Production | Chamila Rodríguez | Production Director |
| Camera | Rodrigo Avilés | Director of Photography |
| Directing | Raúl Ruiz | Director |
| Directing | Valeria Sarmiento | Director |
| Editing | Galut Alarcón | Editor |
| Sound | Jorge Arriagada | Original Music Composer |
| Production | Chamila Rodríguez | Executive Producer |
| Art | Rodrigo Bazaes | Art Direction |
| Production | Andrés Racz | Producer |
| Costume & Make-Up | Constanza Racz | Key Makeup Artist |
| Visual Effects | Kenzo Mijares | Visual Effects |
| Production | Leo Kocking | Producer |
| Production | Raúl Ruiz | Producer |
| Sound | Felipe Zabala | Sound |
| Camera | Juan Millán | First Assistant Camera |
| Editing | Valeria Sarmiento | Editor |
| Sound | Mauricio Molina | Sound Re-Recording Mixer |
| Editing | Kenzo Mijares | Colorist |
| Sound | Nadine Voullième | Dialogue Editor |
| Sound | Nadine Voullième | Sound Effects Editor |
| Directing | Mauricio Pesutic | Assistant Director |
| Sound | Diego Gonzalez Cid | Foley Editor |
| Sound | Nadine Voullième | Sound Mixer |
| Camera | Héctor Ríos | Director of Photography |
| Art | Pía Rey | Set Decoration |
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