Stabat Mater opens and closes with two sung laments, then launches into a breathless torrent of words and phrases, a re-reading of the eternal feminine of Joyce’s Ulysses, which echoes the exultant/feverish swoop of the camera through a Mediterranean landscape
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| Writing | James Joyce | Book |
| Directing | Nina Danino | Director |
| Editing | Nina Danino | Editor |
| Camera | Nina Danino | Director of Photography |
| Sound | Andrew Sears | Sound Mixer |
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