A female cop goes undercover in a high price whorehouse to find a murderer and discovers she likes the assignment more than she should.
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| Directing | Gregory Dark | Director |
| Writing | Lalo Wolf | Writer |
| Writing | Oola Bloome | Writer |
| Production | Dale Larsen | Executive In Charge Of Production |
| Lighting | Brad Draper | Gaffer |
| Sound | Ashley Irwin | Orchestrator |
| Costume & Make-Up | Lori Gattuso | Key Makeup Artist |
| Costume & Make-Up | Susan Seligman | Key Hair Stylist |
| Costume & Make-Up | Joyce Macchiaverna | Key Hair Stylist |
| Directing | Robin Solo | Second Second Assistant Director |
| Camera | Brian Mussetter | First Assistant Camera |
| Camera | Grace Chon | Still Photographer |
| Camera | Philip Hurn | Director of Photography |
| Sound | Bill Reinhardt | Sound Mixer |
| Sound | Tony Cannella | Supervising Sound Editor |
| Sound | Anita Cannella | Foley Artist |
| Sound | Anita Cannella | Dialogue Editor |
| Sound | Tony Cannella | Sound Effects Editor |
| Production | April Moskowitz | Production Executive |
| Production | Andrew W. Garroni | Producer |
| Production | Walter Gernert | Executive Producer |
| Production | Katherine Swanson | Line Producer |
| Sound | Ashley Irwin | Original Music Composer |
| Editing | James Avalon | Editor |
| Production | Sue Swan | Casting |
| Art | Jeff Schell | Production Design |
| Art | Robin McMullan | Set Decoration |
| Costume & Make-Up | Bonnie Stauch | Costume Design |
| Production | Deven Chierighino | Location Manager |
| Production | Jennifer S. Deayton | Production Coordinator |
| Art | Melissa Elliott | Title Designer |
| Directing | Mary Anne Seward | Script Supervisor |
| Directing | James Alan Hensz | Second Assistant Director |
| Directing | John Glasser | First Assistant Director |
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