When a twisted psychotic kidnaps a young girl, mistaking her for the daughter of a wealthy developer, her father, a hardened ex-cop, doggedly hunts them through New York's seamy streets.
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| Writing | Rick Natkin | Screenplay |
| Writing | William W. Norton | Screenplay |
| Writing | William P. McGivern | Novel |
| Directing | Robert Butler | Director |
| Directing | Ron Walsh | First Assistant Director |
| Directing | Michael Haley | First Assistant Director |
| Costume & Make-Up | Irving Buchman | Makeup Artist |
| Directing | Mel Howard | First Assistant Director |
| Sound | Tex Rudloff | Sound Re-Recording Mixer |
| Crew | Chris Howell | Stunt Coordinator |
| Crew | Ted White | Stunts |
| Editing | Barry L. Gold | Assistant Editor |
| Crew | Everett Creach | Stunts |
| Crew | Gene Hartline | Stunts |
| Camera | Jack Brown | Assistant Camera |
| Camera | Mike Miller | Grip |
| Crew | Dennis Sands | Score Engineer |
| Art | Howard Duff | Props |
| Art | Walter Stocklin | Property Master |
| Art | Dave Weinman | Set Dresser |
| Sound | Rick Kline | Sound Mixer |
| Sound | Dennis Maitland II | Boom Operator |
| Sound | Dennis Maitland | Sound Mixer |
| Sound | Donald O. Mitchell | Sound Effects Editor |
| Crew | Blair Burrows | Stunts |
| Lighting | John Delaney | Electrician |
| Art | Wayne Fitzgerald | Title Designer |
| Sound | Artie Kane | Music |
| Costume & Make-Up | William A. Farley | Hairstylist |
| Crew | Ron Ottesen | Special Effects |
| Crew | Conrad 'Connie' F. Brink | Special Effects |
| Crew | Tony Parmelee | Special Effects |
| Crew | Mickey Alzola | Stunts |
| Production | Stephen F. Kesten | Unit Production Manager |
| Sound | Richard C. Franklin | Assistant Sound Editor |
| Camera | James Halligan | Grip |
| Directing | Barbara Stoia | Script Supervisor |
| Camera | James Finnerty | Key Grip |
| Sound | Ken Dufva | Foley Artist |
| Crew | Raymond Hartwick | Stunt Coordinator |
| Crew | Ron Burke | Stunts |
| Crew | C. Thomas Howell | Stunts |
| Crew | Carter Alsop | Utility Stunts |
| Crew | Al Griswold | Special Effects |
| Crew | Harry Madsen | Stunts |
| Crew | Daniel Dod | Stunts |
| Camera | John Finnerty Jr. | Best Boy Grip |
| Camera | Edward Knott | Grip |
| Lighting | Tom Siracusa | Electrician |
| Production | Christopher Cronyn | Production Assistant |
| Crew | John Ashby | Stunts |
| Crew | Steven Chambers | Stunts |
| Directing | Candace Suerstedt | Second Assistant Director |
| Sound | Daniel Rosenblum | Sound Recordist |
| Crew | Sandy Alexander | Stunts |
| Crew | Laurie Creach | Stunts |
| Lighting | James P. Dolan | Electrician |
| Camera | Leo Lebowitz | Assistant Camera |
| Camera | Dennis Gamiello | Grip |
| Camera | Bobby Brown | Second Assistant "A" Camera |
| Camera | Muky | Still Photographer |
| Camera | Lou Barlia | Camera Operator |
| Camera | James V. Gartland | Grip |
| Lighting | Ronald Dolan | Electrician |
| Directing | Renata Stoia | Script Supervisor |
| Production | Tom Fritz | Production Assistant |
| Sound | Artie Kane | Original Music Composer |
| Art | John Godfrey | Set Decoration |
| Editing | Argyle Nelson Jr. | Editor |
| Art | Stuart Wurtzel | Production Design |
| Costume & Make-Up | Peggy Farrell | Costume Design |
| Production | Arnold Kopelson | Executive Producer |
| Camera | Victor J. Kemper | Director of Photography |
| Production | Jay Weston | Producer |
| Production | Stephen F. Kesten | Associate Producer |
| Production | Alixe Gordin | Casting |
| Production | Steve Cohen | Production Assistant |
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