A daughter must choose between her career as a book editor at a high powered New York firm, or return home to care for her aging father whose mental state is deteriorating.
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| Directing | Ian Barry | Director |
| Writing | Beth Polson | Story |
| Camera | John Newby | Director of Photography |
| Production | Erica Fox | Producer |
| Writing | Dalene Young | Teleplay |
| Sound | Anthony Mazzei | Supervising Sound Editor |
| Crew | Ernie F. Orsatti | Stunt Coordinator |
| Production | Melinda Gartzman | Casting |
| Editing | Jim Oliver | Editor |
| Art | Al Eisenmann | Property Master |
| Costume & Make-Up | Nanrose Buchman | Costume Design |
| Camera | Ross Judd | Camera Operator |
| Lighting | Larry Kaster | Gaffer |
| Art | Ellen Totleben | Set Decoration |
| Sound | Tom Hartig | Boom Operator |
| Production | Dalene Young | Co-Producer |
| Sound | Larry Stensvold | Sound Re-Recording Mixer |
| Sound | Alan Williams | Original Music Composer |
| Art | David W. Ford | Production Design |
| Directing | Patience Thoreson | Script Supervisor |
| Sound | Pete Elia | Sound Re-Recording Mixer |
| Costume & Make-Up | Steven Mack | Hair Department Head |
| Directing | Tyrone L. Mason | First Assistant Director |
| Sound | David Bondelevitch | Music Editor |
| Camera | Allen D. Easton | Camera Operator |
| Lighting | Rick Summers | Best Boy Electric |
| Production | Gregg Edler | Production Coordinator |
| Editing | Craig Galka | Assistant Editor |
| Costume & Make-Up | Martha Preciado | Makeup Artist |
| Production | Andrew C. Keeter | Location Manager |
| Crew | Charles E. Dolan | Special Effects Coordinator |
| Camera | Ron Cooney | Key Grip |
| Camera | Butch Pierson | First Assistant Camera |
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