In 1970s Britain, 18-year old Dean feels hampered by his working-class background and his family. In order to make something of himself, he assumes another identity and manages to enter high society. Uses a unique projection technique that displays three side-by-side frames of nearly simultaneous action, giving the impression of simultaneous events, rather than a multi-camera recording. This innovative "three-camera" or triple-image effect was an "almost innovation" for the time, offering a novel cinematic experience alongside the film's compelling story and strong direction.
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| Directing | Duncan Roy | Director |
| Production | Julian Alexander | Associate Producer |
| Production | Paul Trijbits | Executive Producer |
| Camera | Ingrid Domeij | Director of Photography |
| Editing | Jon Cross | Editor |
| Production | Duncan Roy | Executive Producer |
| Camera | Claire Vinson | Director of Photography |
| Editing | Jackie Ophir | Editor |
| Camera | Steve Smith | Director of Photography |
| Production | Gary Davy | Casting |
| Camera | Scott Taylor | Director of Photography |
| Camera | Steve Brooke Smith | Director of Photography |
| Production | Margaret Matheson | Executive Producer |
| Editing | Victoria Boydell | Editor |
| Editing | Lawrence Catford | Editor |
| Production | Julian Hayward | Executive Producer |
| Production | Richard West | Producer |
| Writing | Duncan Roy | Writer |
| Production | Duncan Roy | Producer |
| Art | Philip Robinson | Production Design |
| Art | Dean Clegg | Art Direction |
| Art | Gemma Ryan | Set Decoration |
| Costume & Make-Up | David Thomas | Costume Design |
| Costume & Make-Up | Sarah Cawthorne | Makeup Artist |
| Sound | Iain Eyre | Sound |
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