A London art broker goes to Copenhagen where he requires the services of a secretary fluent in Danish, English, and German. He falls deeply in love with the woman, despite the fact that he knows virtually nothing about her. She insists on not being married in a church, and after they are married, some bad things from her past begin surfacing in subtly supernatural ways, and he must find the best way to deal with them without destroying their relationship.
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Writing | Gordon Hessler | Screenplay |
Directing | Gordon Hessler | Director |
Camera | Claus Loof | Director of Photography |
Sound | Carl Davis | Original Music Composer |
Writing | Richard Adams | Novel |
Sound | Carl Davis | Conductor |
Production | Benni Korzen | Co-Producer |
Production | Marilyn Johnson | Casting |
Production | Simone Reynolds | Casting |
Art | Rob Schilling | Art Direction |
Sound | Preben Mortensen | Sound |
Production | Sally Pardo | Production Manager |
Art | Mark Stevensen | Props |
Costume & Make-Up | Abby John | Makeup Artist |
Camera | Torben Glarbo | Camera Operator |
Lighting | Otto Stenov | Lighting Director |
Editing | Linda Schubell-Sundlin | Assistant Editor |
Production | Nicholas John | Production Supervisor |
Camera | Courtney Goodwin | Assistant Camera |
Camera | Uffe Kaare Thomsen | Assistant Camera |
Art | Sarah Woodford | Props |
Camera | Pat Garett | Grip |
Art | Axel Krogsbøll | Props |
Directing | Marjorie Lavelly | Script Supervisor |
Camera | Jesper Find | Assistant Camera |
Costume & Make-Up | Pauline Daly | Wardrobe Master |
Production | Marilyn Phillips | Additional Casting |
Production | Cathy Carlisle | Production Coordinator |
Sound | Mark Witzen | Boom Operator |
Camera | Peter Klitgaard | Camera Operator |
Production | Michael Obel | Production Manager |
Camera | Kevin Chickanis | Grip |
Production | John Hilbard | Production Manager |
Camera | Ed Pacetti | Underwater Camera |
Lighting | Ron Searle | Electrician |
Lighting | Peter Munch | Electrician |
Sound | Lennart Birch | Sound Assistant |
Editing | Mette Schramm | Dailies Operator |
Editing | Sanne Prehn | Dailies Operator |
Production | Ditte Christiansen | Production Assistant |
Art | Ena Eisel | Props |
Production | Jim Bigham | Production Manager |
Camera | Niels Vestberg | Still Photographer |
Art | Arvid Berg | Props |
Lighting | Jan Andersen | Electrician |
Lighting | Marty Segal | Gaffer |
Directing | Tony Dyer | Assistant Director |
Lighting | Paul Cronin | Electrician |
Camera | Dave Cherry | Best Boy Grip |
Camera | Erik Wittrup Willumsen | Assistant Camera |
Costume & Make-Up | Susan Parkinson | Makeup Artist |
Camera | Gunner Nielsen | Grip |
Camera | John Chickanis | Best Boy Grip |
Production | Aashin A Shah | Production Accountant |
Sound | Maj Soya | Sound Editor |
Crew | Annette Serena | Script |
Production | Pernille Siesbye | Production Assistant |
Camera | Birger Bohm | Camera Operator |
Sound | Lars Skovgaard | Sound Editor |
Art | William Knuttel | Props |
Lighting | Benny Nielsen | Electrician |
Sound | Nic Raine | Orchestrator |
Sound | Bjarne Risbjerg | Sound Editor |
Costume & Make-Up | Birthe Lyngsøe | Makeup Artist |
Sound | Hans-Eric Ahrn | Sound Re-Recording Mixer |
Lighting | Søren Poulson | Electrician |
Sound | John Nielsen | Sound Editor |
Art | Palle Arestrup | Props |
Production | Pernille Siesbye | Associate Producer |
Editing | Robert Gordon | Editor |
Costume & Make-Up | Kezia De Winne | Key Makeup Artist |
Costume & Make-Up | Betina Betzer | Costume Design |
Costume & Make-Up | Pernille Siesbye | Costume Design |
Visual Effects | Roy Field | Visual Effects |
Production | Just Betzer | Producer |
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